Explore: Postimpressionism

Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement which developed roughly between 1886 and 1905, from the last

Pío Collivadino, Atilio Malinverno and Cesáreo Bernaldo de Quirós (Postimpressionism); Emilio Pettoruti (Cubism); Julio Barragán (Concretism and Cubism)

show the influence of Iosif Iser, adopting the visual trappings of Postimpressionism and illustrating, for the first time in Janco's career, the interest

Leo Gestel experimented with cubism, expressionism, futurism and postimpressionism. Along with Piet Mondrian and Jan Sluyters he was among the leading

Mrs. Sarah Montgomery Sears (1899), 147.6 x 96.8 cm Impressionism, postimpressionism, and early modern art [all oil on canvas unless noted otherwise] Pierre-Auguste

opening. With the rise and prevalence of realism, impressionism and postimpressionism, followed by the onslaught of fauvism, cubism, futurism, expressionism

on Matisse, p. 162. ISBN 0-15-666370-8 Bois, Yves-Alain. “1906: Postimpressionism's Legacy to Fauvism.” In Art Since 1900, edited by Yves-Alain Bois

Cleveland Museum of Art. p. 67. ISBN 978-0-940717-89-3. "La Mousmé". Postimpressionism. National Gallery of Art. 2011. Archived from the original on May

Viroflay, France Nationality French Alma mater École Centrale Paris Known for Painting Movement Postimpressionism, pointillism Patron(s) Émile Beaume

barco Artist Joaquín Sorolla Year 1894 Medium Oil painting Movement Postimpressionism Dimensions 265 cm × 403 cm (104 in × 159 in) Location Musée d'Orsay