Explore: Blaue Reiter

Der Blaue Reiter (English: The Blue Rider) was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication

the Blaue Reiter, but he was not yet fully integrated. The release of the almanac was delayed for the benefit of an exhibition. The first Blaue Reiter exhibition

key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the

in late 1911. Kandinsky then formed a new group, The Blue Rider (Der Blaue Reiter) with like-minded artists such as August Macke, Franz Marc, Albert Bloch

founded the Der Blaue Reiter group in response to the rejection of Kandinsky's painting Last Judgement from an exhibition. Der Blaue Reiter lacked a central

painter Wassily Kandinsky presented to the public under the name Der Blaue Reiter from late 1911 until 1914. In 1911, Marc drew in his sketchbook no. XXIV

of young artists formed Der Blaue Reiter (The Blue Rider) in Munich. The name came from Wassily Kandinsky's Der Blaue Reiter painting of 1903. Among their

The Blue Rider (German: Der Blaue Reiter) is an oil painting by Wassily Kandinsky, created in 1903 in Bavaria, Germany. The work depicts a rider galloping

Wassily Kandinsky and was a founding member of the expressionist group Der Blaue Reiter. Münter was born to upper middle-class parents in Berlin on 19 February

Munich. The registered association was formed in 1909 and prefigured Der Blaue Reiter (The Blue Rider), the first modernist secession which is regarded as