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Source: The Open Library

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1Becoming Art

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“Becoming Art” Metadata:

  • Title: Becoming Art
  • Author:
  • Language: English
  • Number of Pages: Median: 288
  • Publisher: Berg - Berg Publishers
  • Publish Date:
  • Publish Location: Oxford - New York

“Becoming Art” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 2007
  • Is Full Text Available: Yes
  • Is The Book Public: No
  • Access Status: Printdisabled

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    Yolngu

    The Yolngu or Yolŋu (IPA: [ˈjuːlŋʊ] or [ˈjuːŋuːl]) are an aggregation of Aboriginal Australian people inhabiting north-eastern Arnhem Land in the Northern

    Gove Peninsula

    Northern Territory and subsequently settled closer to Yolngu homelands, conflicts with the Yolngu became more frequent. In 1931, an area of 96,000 square

    Didgeridoo

    kinship system and the Yolngu Matha language. It is connected to Yolngu Law and underpinned by ceremony, in song, dance, visual art and stories. Pair sticks

    Elcho Island

    surrounding Marthakal homelands, and helps to promote and distribute Yolngu art. The centre has been community-operated since 1992, and includes well-known

    Howard Morphy

    the history of Yolngu art production', whilst also noting it was 'no easy read'. He has also produced a multimedia biography The Art of Narritjin Maymuru

    Yolngu Boy

    Yolngu Boy is a 2001 Australian coming-of-age film directed by Stephen Maxwell Johnson, produced by Patricia Edgar, Gordon Glenn, Galarrwuy Yunupingu and

    Dhambit Mununggurr

    1968) is a Yolngu artist of the Gupa-Djapu clan known for her unique ultramarine blue bark paintings inspired by natural landscapes and Yolngu stories and

    Mungurrawuy Yunupingu

    was a Aboriginal Australian artist and leader of the Gumatj clan of the Yolngu people of northeastern Arnhem Land in the Northern Territory of Australia

    Bark painting

    analogies. The Yolngu language and culture has words and concepts that are unfamiliar to non-indigenous cultures, which makes understanding the art form difficult

    Djambawa Marawili

    Yolngu community who is acknowledged as a leader due to her great knowledge of the Dhuji-Djapu clan, and her father is Dhakiyarr Wirrpanda, a Yolngu leader