Explore: Virelais (polyphonic Chansons)

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Source: The Open Library

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1Masterpieces of music before 1750

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“Masterpieces of music before 1750” Metadata:

  • Title: ➤  Masterpieces of music before 1750
  • Author:
  • Language: English
  • Number of Pages: Median: 235
  • Publisher: ➤  W W Norton & Co Inc (Np) - W. W. Norton - Norton - Faber and Faber - W.W. Norton - Faber
  • Publish Date: ➤  
  • Publish Location: London - New York
  • Dewey Decimal Classification: 780.82780.8
  • Library of Congress Classification: M--0002.00000000.P25 M3M--0002.00000000.P2 M3 1951

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Access and General Info:

  • First Year Published: 1951
  • Is Full Text Available: Yes
  • Is The Book Public: No
  • Access Status: Borrowable

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2French secular music of the late fourteenth century

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“French secular music of the late fourteenth century” Metadata:

  • Title: ➤  French secular music of the late fourteenth century
  • Authors:
  • Language: fre
  • Number of Pages: Median: 19633
  • Publisher: Mediaeval Academy of America
  • Publish Date:
  • Publish Location: Cambridge, Mass
  • Dewey Decimal Classification:
  • Library of Congress Classification: M--0002.00000000.A535 F7

“French secular music of the late fourteenth century” Subjects and Themes:

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Book Classifications

Access and General Info:

  • First Year Published: 1950
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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3Le codex de Chypre

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“Le codex de Chypre” Metadata:

  • Title: Le codex de Chypre
  • Authors:
  • Language: frm
  • Number of Pages: Median: 126
  • Publisher: Ut Orpheus
  • Publish Date:
  • Publish Location: Bologna
  • Dewey Decimal Classification:
  • Library of Congress Classification: M--1578.00000000.C644 R61 2011M--1578.00000000.C63 2011

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  • First Year Published: 2011
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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4Poésie et musique

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“Poésie et musique” Metadata:

  • Title: Poésie et musique
  • Authors:
  • Language: fre
  • Number of Pages: Median: 255
  • Publisher: Brepols
  • Publish Date:
  • Publish Location: Turnhout
  • Dewey Decimal Classification:
  • Library of Congress Classification: M--1490.00000000.P64 2021

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  • First Year Published: 2021
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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5Remede de fortune

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“Remede de fortune” Metadata:

  • Title: Remede de fortune
  • Author:
  • Language: fre
  • Publisher: New Albion
  • Publish Date:
  • Publish Location: San Francisco

“Remede de fortune” Subjects and Themes:

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Access and General Info:

  • First Year Published: 1994
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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Downloads Are Not Available:

The book is not public therefore the download links will not allow the download of the entire book, however, borrowing the book online is available.

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    Wiki

    Source: Wikipedia

    Wikipedia Results

    Search Results from Wikipedia

    Chanson

    Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word chanson literally means "song" in French and can thus less

    Grand chant

    (12th–13th centuries) was in many respects the predecessor of the polyphonic chanson of the Late Middle Ages (14th–15th centuries). O'Neill, Mary (2006)

    Renaissance music

    bourgeois class. Dissemination of chansons, motets, and masses throughout Europe coincided with the unification of polyphonic practice into the fluid style

    Guillaume de Machaut

    400 poems, including 235 ballades, 76 rondeaux, 39 virelais, 24 lais, 10 complaintes, and 7 chansons royales, and Machaut did much to perfect and codify

    Medieval music

    development of polyphonic forms is often associated with the Ars antiqua style associated with Notre-Dame de Paris, but improvised polyphony around chant

    Josquin des Prez

    numerous French chansons, for three to six voices, some of which were probably intended for instrumental performance as well. In his chansons, he often used

    Guillaume Du Fay

    antiphons within the area of sacred music, and rondeaux, ballades, virelais and a few other chanson types within the realm of secular music. None of his surviving

    Adam de la Halle

    include chansons and jeux-partis (poetic debates) in the style of the trouvères; polyphonic rondel and motets in the style of early liturgical polyphony; and

    Burgundian School

    were the four formes fixes (rondeau, ballade, virelai, and bergerette), all generically known as chansons. Of the four, the rondeau was by far the most

    Madrigal

    textures of polyphonic language, thus his madrigals were like motets, although he varied the compositional textures, between homophonic and polyphonic passages