Explore: Unaccompanied Requiems

[citation needed] Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical

similarity between the openings of the Domine Jesu Christe movements in the requiems of the two composers suggests that Eybler at least looked at later sections

notable requiems: Officium defunctorum (ca. 1526–28) and Missa pro defunctis (1544). Guerrero: Requiem (Missa pro defunctis), 1582. Victoria: Requiem of 1603

The Requiem by Herbert Howells was written in 1932, but first published almost fifty years later in 1981. It is set for unaccompanied choir with soloists

Absolution which follows the Mass. Polyphonic sections are separated by unaccompanied chant incipits Victoria printed himself. The Soprano II usually carries

Albums Chart. The work is one of a number of requiems which move away from the traditional Latin requiem mass. Such a movement has been described as a

Spring-Symphony, by Mikis Theodorakis (1982) * Symphony No. 3, Sinfonia da Requiem, by József Soproni (1983) Symphony No. 6, Aphorisms, by Einar Englund (1984)

influential to other church and college choirs for its performance of unaccompanied sacred music. Conducted since 1990 by Anton Armstrong, there have been

Balladen Vol. III (5 songs for unaccompanied chorus) (1849–51) Op. posth. 146, Romanzen & Balladen Vol. IV (5 songs for unaccompanied chorus) (1849) Op. posth

the Leipzig conservatory. In 1912 he set Hebbel's poem "Requiem" as a motet for unaccompanied male choir, which was published as No. 10 of his collection