Explore: Suites (viola Da Gamba And Continuo)

The sonatas for viola da gamba and harpsichord, BWV 1027–1029, are three sonatas composed by Johann Sebastian Bach for viola da gamba and harpsichord. They

oboes, bassoon, violino piccolo, two violins, viola and basso continuo (harpsichord, cello, viola da gamba and/or violone) The Brandenburg Concerto No. 1

– Fugue in G minor for violin and basso continuo (doubtful) BWV 1027 – Sonata No. 1 in G major for viola da gamba and harpsichord (arrangement of BWV

of the Baroque era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments such as organ

quatuors, 1736; Nouveaux quatuors en six suites, 1738) for flute, violin, viola da gamba or cello, continuo, TWV 43:G1, D1, A1, g1, e1, h1 (first set)

Adagio e piano Presto Apart from the sonata for viola da gamba and the trio sonata for two flutes and continuo, there is a third version of the sonata for

violins) and basso continuo. However, either or both of the melody parts could be played on the flute, recorder, oboe, or even viola da gamba. The bass

Brandenburg Concerto No. 6, scored for 2 violas "concertino", cello, 2 violas da gamba, and continuo, the two violas play the primary melodic roles. Bach

and basso continuo Sonata modi dorii for two violins, viola da gamba and basso continuo Sonata for two violins, two violas and basso continuo 25 offertories

six works for flute, violin, viola da gamba (or cello), and continuo, by Georg Philipp Telemann, first published in 1730 and 1738, respectively. Telemann