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Source: The Open Library
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1Das Café-Concert als Thema der französischen Malerei und Graphik des ausgehenden 19. Jahrhunderts
By Wieland Barthelmess
“Das Café-Concert als Thema der französischen Malerei und Graphik des ausgehenden 19. Jahrhunderts” Metadata:
- Title: ➤ Das Café-Concert als Thema der französischen Malerei und Graphik des ausgehenden 19. Jahrhunderts
- Author: Wieland Barthelmess
- Publisher: FU Berlin
- Publish Date: 1987
“Das Café-Concert als Thema der französischen Malerei und Graphik des ausgehenden 19. Jahrhunderts” Subjects and Themes:
- Subjects: ➤ café-concert - Toulouse-Lautrec - Steinlen - Ibels - Renoir - Degas - Manet - Forain - Seurat
- People: ➤ Toulouse-Lautrec - Steinlen - Ibels - Renoir - Degas - Manet - Forain - Seurat
- Places: Paris - Montmartre
- Time: 1870-1914
Edition Identifiers:
- The Open Library ID: OL24377625M
Access and General Info:
- First Year Published: 1987
- Is Full Text Available: No
- Is The Book Public: No
- Access Status: No_ebook
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Source: Wikipedia
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Théophile Steinlen
Théophile Alexandre Steinlen (November 10, 1859 – December 13, 1923), was a Swiss-born French Art Nouveau painter and printmaker. He was politically engaged
Steinlen (horse)
Steinlen (1983 – 9 June 2001) was a Thoroughbred racehorse grass champion male. He was voted the American Champion Male Turf Horse for 1989 following his
Le Chat Noir
poetry, and political satire. It was the subject of an iconic Théophile Steinlen poster in 1896. The cabaret was founded by Rodolphe Salis at the foot of
Le Rire
highly desirable collectibles. The most prominent contributor was Théophile Steinlen. His illustrations were biting caricatures of the political "jackasses"
François Bocion
During those years, he was introduced to drawing by Christian-Gottlieb Steinlen (1779-1847) and François Bonnet (1811-1894). This inspired him to visit
Pablo Picasso
Modernist period (1899–1900) followed. His exposure to the work of Rossetti, Steinlen, Toulouse-Lautrec and Edvard Munch, combined with his admiration for favourite
Poster
type of graphic art in the modern age. Poster artists such as Théophile Steinlen, Albert Guillaume, Leonetto Cappiello, Henri Thiriet, and others became
Eugeen Van Mieghem
of art critics, who compared this work to that of Théophile-Alexandre Steinlen, Jean-Louis Forain, and Käthe Kollwitz. After an article by his friend
Anarchist symbolism
and they adopted the cat as their mascot. The Swiss anarchist Théophile Steinlen made use of the black cat (Le Chat Noir) in a number of his paintings.
List of poster artists
Galina Shubina (1902–1980) Franciszek Starowieyski (1930–2009) Théophile Steinlen (1859–1923) Henryk Tomaszewski (1914–2005) B.A. Uspensky (1927–2005) Heinz