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Source: The Open Library

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1El mito de la Sonora Matancera

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“El mito de la Sonora Matancera” Metadata:

  • Title: El mito de la Sonora Matancera
  • Author:
  • Language: ➤  Spanish; Castilian - español, castellano
  • Number of Pages: Median: 153
  • Publisher: Litografía Ipeca
  • Publish Date:
  • Publish Location: San José, Costa Rica

“El mito de la Sonora Matancera” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 1999
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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2Sonora Matancera y sus estrellas

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“Sonora Matancera y sus estrellas” Metadata:

  • Title: ➤  Sonora Matancera y sus estrellas
  • Author:
  • Language: ➤  Spanish; Castilian - español, castellano
  • Number of Pages: Median: 152
  • Publisher: Losseres Corp.
  • Publish Date:
  • Publish Location: [S.l.]

“Sonora Matancera y sus estrellas” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 2003
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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Source: Wikipedia

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Sonora Matancera

La Sonora Matancera is a Cuban band that played Latin American urban popular dance music. Founded in 1924 and led for more than five decades by guitarist

Celia Cruz

Cuba, earning recognition as a vocalist of the popular musical group Sonora Matancera, a musical association that lasted 15 years (1950–1965). Cruz mastered

Sonora Santanera

years of history. Modeled after an earlier Cuban band called Sonora Matancera, the Sonora Santanera was founded in 1955 by Carlos Colorado in the state of

Dos gardenias

became a hit for Daniel Santos in 1948, due to his recording with La Sonora Matancera with an arrangement by Pérez Prado. Years later the composition would

Afro-Cubans

Sonora Matancera; son of Pablo "Bubú" Vázquez Gobín and brother of Elpidio Vázquez, he succeeded Lino Frías on piano as a member of Sonora Matancera María

Pedro Knight

At age 23, he joined the Havana-based, Afro-Cuban conjunto band, La Sonora Matancera ("the sound of Matanzas", a port with a large black population), that

Son cubano

soneado and bolero-son. The term sonora refers to conjuntos with smoother trumpet sections such as Sonora Matancera and Sonora Ponceña. Although the history

Bienvenido Granda

was best known for having been the lead singer of the Cuban ensemble Sonora Matancera in the 1940s and 50s. He had a distinctive voice, relaxing and sensual

Pérez Prado

Vita. Pérez Prado began his career as pianist and arranger for the Sonora Matancera, an internationally successful dance music ensemble from his hometown

Ismael Miranda

With (Willie Colón) Doble Energía (Fania Records) 1980 With (Sonora Matancera) La Sonora y el Niño (Fania Records) 1984 With His Orchestra Así Se Compone


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