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1IV sonates pour la harpe dont deux avec un accompagnement chantant pour le clavecin ou le forte piano et deux avec un accompagnement de violon ad libitum, oeuvre VIIe

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“IV sonates pour la harpe dont deux avec un accompagnement chantant pour le clavecin ou le forte piano et deux avec un accompagnement de violon ad libitum, oeuvre VIIe” Metadata:

  • Title: ➤  IV sonates pour la harpe dont deux avec un accompagnement chantant pour le clavecin ou le forte piano et deux avec un accompagnement de violon ad libitum, oeuvre VIIe
  • Author:
  • Number of Pages: Median: 17
  • Publisher: Gastau
  • Publish Date:
  • Publish Location: Paris

“IV sonates pour la harpe dont deux avec un accompagnement chantant pour le clavecin ou le forte piano et deux avec un accompagnement de violon ad libitum, oeuvre VIIe” Subjects and Themes:

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Access and General Info:

  • First Year Published: 1770
  • Is Full Text Available: Yes
  • Is The Book Public: Yes
  • Access Status: Public

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    Six sonatas for various instruments

    half of the projected sonatas. He left behind his sonatas for cello and piano (1915), flute, viola and harp (1915), and violin and piano (1916–1917). From

    List of violin sonatas

    Bach Solo sonatas BWV 1001, 1003 and 1005, included in Sonatas and Partitas for Solo Violin (1720) Six Sonatas for Violin and Harpsichord, BWV 1014–1019

    Harpsichord

    Italy but wrote most of his solo harpsichord works in Spain; his most famous work is his series of 555 harpsichord sonatas. Perhaps the most celebrated composers

    Six Sonatas for Violin and Harpsichord, BWV 1014–1019

    The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in

    Sonata

    the sonata and an example of 12 chamber trio sonatas, Op. 2, in 1685. Corelli’s prolific work in his trio sonatas inspired Bach, Vivaldi, Handel, and Telemann

    Peter-Lukas Graf

    Vivaldi and Lotti: Baroque chamber music for flute, oboe and harpsichord, P.L. Graf, Goritzki and Dähler. (Claves 50-0404). J. Galway & L. Bridges The Man

    Piano Sonata No. 14 (Beethoven)

    Analysis of form in Beethoven's sonatas. Borough Green: Novello. pp. 28–29. Rosen, Charles (2002). Beethoven's Piano Sonatas: A Short Companion. Yale University

    Trevor Pinnock

    (1985) J. S. Bach: sonatas for flute and harpsichord BWV 1020, 1030–1032 with Emmanuel Pahud (modern flute), sonatas for flute and continuo BWV 1033–1035

    Harpsichord concerto

    concertante for harp, harpsichord, piano and double string orchestra (1945) Elliott Carter - Double Concerto (1959–61, for harpsichord and piano with two

    Carl Philipp Emanuel Bach

    [citation needed] Sonatas by C. P. E. Bach Flute Sonata in B-flat major Performed by Alex Murray (flute) and Martha Goldstein (harpsichord) Sonata for Flute or