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The Ajanta Caves are 30 rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in Aurangabad district of Maharashtra state in India. Ajanta Caves are a UNESCO World Heritage Site. Universally regarded as masterpieces of Buddhist religious art, the caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form. The caves were built in two phases, the first starting around the second century BCE and the second occurring from 400 to 650 CE, according to older accounts, or in a brief period of 460–480 CE according to later scholarship. The Ajanta Caves constitute ancient monasteries (Viharas) and worship-halls (Chaityas) of different Buddhist traditions carved into a 75-metre (246 ft) wall of rock. The caves also present paintings depicting the past lives and rebirths of the Buddha, pictorial tales from Aryasura's Jatakamala, and rock-cut sculptures of Buddhist deities. Textual records suggest that these caves served as a monsoon retreat for monks, as well as a resting site for merchants and pilgrims in ancient India. While vivid colours and mural wall paintings were abundant in Indian history as evidenced by historical records, Caves 1, 2, 16 and 17 of Ajanta form the largest corpus of surviving ancient Indian wall-paintings. The Ajanta Caves are mentioned in the memoirs of several medieval-era Chinese Buddhist travelers. They were covered by jungle until accidentally "discovered" and brought to Western attention in 1819 by a colonial British officer Captain John Smith on a tiger-hunting party. The caves are in the rocky northern wall of the U-shaped gorge of the River Waghur, in the Deccan plateau. Within the gorge are a number of waterfalls, audible from outside the caves when the river is high.

In Ancient Roman architecture, a basilica (Greek basilike) was a large public building with multiple functions that was typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the basilica architectural form. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and imperial palaces and were known as "palace basilicas". In late antiquity, church buildings were typically constructed either as martyria, or with a basilica's architectural plan. A number of monumental Christian basilicas were constructed during the latter reign of Constantine the Great. In the post Nicene period, basilicas became a standard model for Christian spaces for congregational worship throughout the Mediterranean and Europe. From the early 4th century, Christian basilicas, along with their associated catacombs, were used for burial of the dead. By extension, the name was later applied to Christian churches that adopted the same basic plan. It continues to be used in an architectural sense to describe rectangular buildings with a central nave and aisles, and usually a raised platform at the end opposite the door. In Europe and the Americas, the basilica remained the most common architectural style for churches of all Christian denominations, though this building plan has become less dominant in buildings constructed since the late 20th century. The Catholic Church has come to use the term to refer to its especially historic churches, without reference to the architectural form.