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1Enzymatic examination of the authenticity of a painting attributed to Rembrandt

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“Enzymatic examination of the authenticity of a painting attributed to Rembrandt” Metadata:

  • Title: ➤  Enzymatic examination of the authenticity of a painting attributed to Rembrandt
  • Author:
  • Language: English
  • Number of Pages: Median: 66
  • Publisher: ➤  Acta Universitatis Gothoburgensis
  • Publish Date:
  • Publish Location: Göteborg

“Enzymatic examination of the authenticity of a painting attributed to Rembrandt” Subjects and Themes:

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Access and General Info:

  • First Year Published: 1992
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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The Repentant Magdalene (Cagnacci)

The Repentant Magdalene, also called The Conversion of Mary Magdalene, is an oil painting of the early 1660s by the Baroque Italian painter Guido Cagnacci

Penitent Magdalene (Caravaggio)

Penitent Magdalene (also called Repentant Madalene) is a 16th-century oil on canvas painting by Italian Baroque painter Caravaggio. The painting portrays

Penitent Magdalene

by Titian Penitent Magdalene (Titian, 1565), c. 1565 painting by Titian The Repentant Magdalene (Cagnacci), c. 1660–1663 painting by Cagnacci This disambiguation

Magdalene with the Smoking Flame

oil-on-canvas depiction of Mary Magdalene by French Baroque painter Georges de La Tour. Two versions of this painting exist, one in the Los Angeles County

Mary Magdalene

as a repentant prostitute, despite there being no biblical basis for this portrayal. The Eastern Orthodox Church has always viewed Mary Magdalene as a

Penitent Magdalene (Titian, 1565)

The Penitent Magdalene (titled Repentant Mary Magdalene in the Hermitage) is an oil on canvas painting by Titian, from the c. 1560s. It depicts Saint

Magdalene at a Mirror

Magdalene at a Mirror or The Repentant Magdalene is a c.1635-1640 oil-on-canvas painting by the French artist Georges de La Tour. It passed from the Marquise

Mary Magdalene (Stevens)

Mary Magdalene is an oil on canvas painting by Belgian painter Alfred Stevens. It is Stevens' revision of the Biblical figure of Mary Magdalene. The painting

The Magdalen Reading

painting had been overpainted with a thick layer of brown paint. A cleaning between 1955 and 1956 revealed the figure standing behind the Magdalene and

Mary Magdalene (Artemisia Gentileschi)

path to one devoted to Christ. Magdalene's depiction departs from her traditional representation: Mary Magdalene is repentant and suffering, but she is not