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1Das Pompeion und seine Nachfolgerbauten (German Edition)
By Wolfram Hoepfner

“Das Pompeion und seine Nachfolgerbauten (German Edition)” Metadata:
- Title: ➤ Das Pompeion und seine Nachfolgerbauten (German Edition)
- Author: Wolfram Hoepfner
- Language: ger
- Number of Pages: Median: 248
- Publisher: de Gruyter
- Publish Date: 1976
- Publish Location: Berlin
“Das Pompeion und seine Nachfolgerbauten (German Edition)” Subjects and Themes:
- Subjects: ➤ Pottery - Antiquities - Fouilles archéologiques - Quartier du Céramique - Ausgrabung - Kerameikos - Pompeion - Eski eserler - Pompeion (Athens, Greece) - Excavations (Archaeology)
Edition Identifiers:
- The Open Library ID: OL15970886M
- Online Computer Library Center (OCLC) ID: 3687266
- All ISBNs: 3110059061 - 9783110059069
Access and General Info:
- First Year Published: 1976
- Is Full Text Available: Yes
- Is The Book Public: No
- Access Status: Printdisabled
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Source: Wikipedia
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Kerameikos
them today. During the Classical period an important public building, the Pompeion, stood inside the walls in the area between the two gates. This served
Iacchus
that Plutarch referred to as the "so called Iaccheion". Nearby was the Pompeion, the building which was the assembly point for the procession celebrating
Sub-Mycenaean pottery
Wilhelm Kraiker and Karl Kübler, based on finds from the Kerameikos and Pompeion cemeteries in Athens and Salamis. The existence of the style was initially
Dipylon
by a moat and a secondary wall (proteichisma). The construction of the Pompeion in the empty space between the Dipylon and Sacred Gate began shortly after
Parthenon Frieze
Shrines and Festivals p.58 in Neils 1996. Before the construction of the Pompeion c. 400 BC the Leokoreion was the marshalling point for the festival procession
Sacred Gate
Layout of the gate complex of Kerameikos in c. 300 BC, including the Dipylon, the Sacred Gate, and the Pompeion
Wolfram Hoepfner
late Hellenistic architecture and the topography of ancient Rhodes. Das Pompeion und seine Nachfolgerbauten, de Gruyter, Berlin 1976 (Kerameikos, Bd. 10)
Square Peristyle
Vergina. The use of a peristyle design may have been inspired by the nearby Pompeion, but there was no close model for the design. Some aspects of the colonnade