Explore: Pittura Metafisica

Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and

 1933–1936 Orphism, c. 1910–1913 Photo-Secession, founded c. 1902 Pittura Metafisica, c. 1911–1920 Proto-Cubism, c. 1906–1908 Purism, c. 1917–1930s Rayonism

Russia De Stijl (Neoplasticism) – 1917 – 1931, Netherlands (Utrecht) Pittura Metafisica – 1917, Italy Arbeitsrat für Kunst – 1918 – 1921 Bauhaus – 1919 –

painter Carlo Carrà. It was finished during the artists phase of Pittura Metafisica, or "Metaphysical painting," in 1921. It portrays an enigmatic head

edu. Archived from the original on 19 March 2007. Gale, Matthew. "Pittura Metafisica". Grove Art Online. Oxford Art Online. Oxford University Press. Web

Henri Rousseau. Morandi practiced metaphysical painting (Italian: pittura metafisica) from 1918 to 1922. This was his last major stylistic shift; thereafter

era: Fauvism, Expressionism, Cubism, Blauer Reiter, Futurism and Pittura Metafisica. Therefore, abstract art, in particular the abstract paintings of

In Ferrara he met with Carlo Carrà and together they founded the pittura metafisica movement. He continued to paint, and in 1918, he transferred to Rome

Expressionism and related: Chaim Soutine, Abraham Mintchine, Isaac Frenkel Pittura Metafisica – Giorgio de Chirico, Carlo Carrà, Giorgio Morandi De Stijl – Theo

were a complex period for Conti. He explored Mannerism, Exoticism, Pittura Metafisica, and great historical and religious painting, covering a vast area