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1La didattica del partimento

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“La didattica del partimento” Metadata:

  • Title: La didattica del partimento
  • Author:
  • Language: ita
  • Number of Pages: Median: 364
  • Publisher: Libreria musicale italiana
  • Publish Date:
  • Publish Location: Lucca

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Access and General Info:

  • First Year Published: 2020
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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Partimento

A partimento (from the Italian: partimento, plural partimenti) is a sketch (often a bass line), written out on a single staff, whose main purpose is to

Peter van Tour

He is best known as an expert in the field of Partimento and is the author of "Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century

Rule of the octave

of the octave also formed the cornerstone of the "regole" (rules) of partimento collections. There is normally a different harmonization for ascending

Vasili Byros

known for his contributions to the field of music schemata theory and partimento. Byros is an alumnus of the Aaron Copland School of Music, receiving his

Third stream

Byron, Christine Correa, Dominique Eade, Matt Darriau, and many others. Partimento Musical improvisation#Classical period Banks, Don (1970). "Third-Stream

Giovanni Paisiello

R E.16 – Mandolin concerto in G major Regole per bene accompagnare il partimento o sia il basso fondamentale sopra il Cembalo 298 Disposizione over partimenti

Galant Schemata

sequence is "a hallmark of the galant style" and a consequence of the partimento pedagogical tradition of Neapolitan conservatories. Galant schemata, broadly

Niccolò Antonio Zingarelli

muziek on the Dutch Wikipedia. Sanguinetti, Giorgio (May 2012). The Art of Partimento. Oxford University Press, USA. p. 86. ISBN 978-0-19-539420-7.  This article

Francesco Durante

Dictionary of Music & Musicians, [vol #5]. Peter van Tour: Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples. 2015

Bartolomeo Montalbano

trombone, con il partimento per l’organo, con alcune a quattro viole (Palermo 1629) Motetti ad 1, 2, 3, 4, et 8 voci, con il partimento per l’organo, et