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1Omega and after

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“Omega and after” Metadata:

  • Title: Omega and after
  • Author:
  • Language: English
  • Number of Pages: Median: 176
  • Publisher: ➤  Thames and Hudson - Thames & Hudson
  • Publish Date:
  • Publish Location: London

“Omega and after” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 1981
  • Is Full Text Available: Yes
  • Is The Book Public: No
  • Access Status: Printdisabled

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    Omega Workshops

    The Omega Workshops Ltd. was a design enterprise founded by members of the Bloomsbury Group and established in July 1913. It was located at 33 Fitzroy

    Omega Institute for Holistic Studies

    educational experiences that awaken the best in the human spirit". Omega’s workshops, conferences, and retreats aim to create dialogues on the integration

    Vanessa Bell

    worked on commissions for the Omega Workshops, established by Roger Fry. Her first solo exhibition was at the Omega Workshops in 1916. On 7 April 1961, Vanessa

    Roger Fry

    Bloomsbury: Designs of the Omega Workshops 1913–19', contained the largest collection of surviving working drawings of the Omega Workshops, bequeathed to The

    Nina Hamnett

    or decorating fabrics, clothes, murals, furniture, and rugs at the Omega Workshops, which was directed by Roger Fry, Vanessa Bell, and Duncan Grant. Her

    Vorticism

    to Marinetti's Futurism and the Post-Impressionism of Roger Fry's Omega Workshops. Vorticist paintings emphasised 'modern life' as an array of bold lines

    Dora Carrington

    exhibited and did not sign her work. She worked for a while at the Omega Workshops, and for the Hogarth Press, designing woodcuts. Carrington was born

    Omega Speedmaster

    Omega Speedmaster is a line of chronograph wristwatches produced by Omega SA. While chronographs have existed since the late 1800s, Omega first introduced

    List of Bloomsbury Group people

    were involved in the Omega Workshops, a business which traded from 1913 to 1919. Other designers and manufacturers at the Workshops were not necessarily

    Frederick Etchells

    into contact with the Bloomsbury Group. He was a contributor to the Omega Workshops, but eventually broke with Wyndham Lewis. This break culminated in