Explore: New Wave (musique)

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Source: The Open Library

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1Génération chaos

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“Génération chaos” Metadata:

  • Title: Génération chaos
  • Author:
  • Language: fre
  • Number of Pages: Median: 321
  • Publisher: Denoël
  • Publish Date:
  • Publish Location: [Paris]

“Génération chaos” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 2008
  • Is Full Text Available: Yes
  • Is The Book Public: No
  • Access Status: Borrowable

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Roche Musique

December 2018. Retrieved 2019-08-19. "En écoute: ".Wave II", l'exquise compilation signée Roche Musique". Les Inrocks (in French). Retrieved 2019-08-16.

Krautrock

sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally

List of music genres and styles

Krautrock New wave Cold wave Dark wave Neoclassical dark wave Neue Deutsche Todeskunst Ethereal wave Nu-gaze Minimal wave Neue Deutsche Welle New romantic

Noise music

anything new in music has always been called noise", and he posed the question: "What is music but organized noises?" Pierre Schaeffer's musique concrète

Yael Naim

single from this new record was "Go to the River". In 2016, she won her second Female Artist of the Year award at Victoires de la Musique, the French equivalent

Jean-Jacques Goldman

unofficial title.) The recording includes several hit singles: "Quand la musique est bonne", "Comme toi" (inspired by a picture of a young Jewish girl who

The Opposition (band)

mixed new wave sounds with reggae rhythms. Later as a 'power trio' of Mark Long, Marcus Bell & Ralph Hall they adopted a more edgy, moody, new wave sound

Synth-pop

genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s. Electronic musical synthesizers that could

François Kevorkian

go into the studio and do remixes. His first remix, of "In the Bush" by Musique, became a club and radio hit, and was followed by further hit remixes including

Theatre of the absurd

at the Cherry Lane Theatre in New York on 17 September 1961. Albee's Who's Afraid of Virginia Woolf? also premiered in New York the following year, on October