Explore: Mise En Abyme

In Western art history, mise en abyme (French pronunciation: [miz ɑ̃n‿abim]; also mise en abîme) is the technique of placing a copy of an image within

Mise en abyme (also mise-en-abîme, French "put in the abyss", [miːz ɒn əˈbɪːm]) is a transgeneric and transmedial technique that can occur in any literary

effect (Dutch pronunciation: [ˈdrɔstə]), known in art as an example of mise en abyme, is the effect of a picture recursively appearing within itself, in

practice is more generally known as the Droste effect, an example of the Mise en abyme technique. M. C. Escher's Print Gallery (1956) is a print which depicts

prepared and ready to go before cooking. Translated, "put in place." mise en abyme lit. "placed into abyss": a literary and artistic technique where a

respective English Wikipedia articles. For instance: This article->Mise en abyme->Recursion->this article.[circular reference] A Strange Loop – A Broadway

through imperfect and clumsy characters". She described the film as a mise en abyme about "actors who play in a lousy film" and confront their characters

Russia portal Toys portal Amish doll Chinese boxes Droste effect Fractal Mise en abyme Infinity Recursion Culture of Russia Self-similarity Shaker-style pantry

than one level of internal stories, leading to deeply-nested fiction. Mise en abyme is the French term for a similar literary device (also referring to

meta-referential in that it portrays a play within a play, sometimes also called mise en abyme. This theme has been compared to William Shakespeare's line "All the