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Source: The Open Library

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1The Rubáíyat of a Persian kitten

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“The Rubáíyat of a Persian kitten” Metadata:

  • Title: ➤  The Rubáíyat of a Persian kitten
  • Author:
  • Language: English
  • Number of Pages: Median: 75
  • Publisher: Charles Scribner's Sons
  • Publish Date:
  • Publish Location: New York

“The Rubáíyat of a Persian kitten” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 1904
  • Is Full Text Available: Yes
  • Is The Book Public: Yes
  • Access Status: Public

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    Lithography

    used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine

    Relativity (M. C. Escher)

    Relativity is a lithograph print by the Dutch artist M. C. Escher, first printed in December 1953. The first version of this work was a woodcut made earlier

    Odilon Redon

    with Guardian Spirit of the Waters; he published his first album of lithographs, titled Dans le Rêve, in 1879. Still, Redon remained relatively unknown

    Surrealist techniques

    Surrealism in art, poetry, and literature uses numerous techniques and games to provide inspiration. Many of these are said to free imagination by producing

    Sitting Ducks (lithograph)

    Sitting Ducks is a lithograph created by the Canadian poster artist Michael Bedard in 1977. It depicts a literal interpretation of the idiom "sitting duck"

    Sitting Ducks

    Sitting Ducks (lithograph), a 1977 artwork by Michael Bedard Sitting Ducks (TV series), a 2001 animated series based on the lithograph Sitting Ducks (film)

    Chromolithography

    always a lithograph), on which colours were then overprinted. To make an expensive reproduction print, once referred to as a "chromo", a lithographer, with

    Dove (Picasso)

    (French: La Colombe) is a 1949 lithograph on paper created by Pablo Picasso in 1949 in an edition of 50+5. The lithograph displays a white dove on a black

    At Eternity's Gate

    Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing

    Honoré Daumier

    sculptures, 500 paintings, 1,000 drawings, 1,000 wood engravings, and 4,000 lithographs. Daumier came from a poor family and was working by the age of 12, first