Explore: Ghazals Turcs

Arabic prosody. With love for traditional forms of poetry she also published ghazal and rubayat. She is associated with the Writers' Union of Romania and Turkish

The Turkish Bath (Le Bain turc) is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862. The

Women), plaster Raymond Duchamp-Villon (1914) Femme assise, plaster ʿAin Ghazal statues, from approximately 9000 years ago David (1504), by Michelangelo

pages. The Divan comprises ghazals (pp. 1–581), rubaiyat (pp. 582–585), and tuyuqs (pp. 586–608), containing over 1,300 ghazals, 20 rubaiyat, and 115 tuyuqs

ad-Din Muhammad Rumi (1207–1273), who lived in Iconium (Konya), and some ghazals by his son Sultan Walad. Interpretation of the Greek language texts is

directement empruntées à Ingres (respectivement l'une des femmes du Bain turc et la Baigneuse de Valpinçon, cette dernière en conversation avec une robuste

qasida which praised the Kaaba in Mecca; Ben Triki transposed the Sufi ghazal devices originally applied to the love of God or ones "Beloved" to the description

counterparts. A famous painting by Jean Auguste Dominique Ingres, Le Bain Turc ("The Turkish Bath"), depicts these spaces as magical and sexual. There are

is derived from earlier designations, such as lingua turcica agemica, or Turc Agemi, which was used in a grammar book composed by the French writer Capuchin

critic, he, among others, is the author of the studies L'Albanie et les Turcs (Paris 1895), Memoire sur le mouvement national Albanais (Brussels, 1899)