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Source: The Open Library

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1Le Domaine musical

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“Le Domaine musical” Metadata:

  • Title: Le Domaine musical
  • Author:
  • Language: fre
  • Number of Pages: Median: 506
  • Publisher: Fayard
  • Publish Date:

“Le Domaine musical” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 1992
  • Is Full Text Available: Yes
  • Is The Book Public: No
  • Access Status: Borrowable

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André Boucourechliev

the success of his Piano Sonata (1959), which was performed at the Domaine musical, and works involving choice and chance, he spent a period in America

Paying public domain

Paying public domain (French: Domaine public payant, Spanish: dominio público pagante) is a copyright regime where copies, presentations or performances

Public domain

The first musical notation system, the Music of Mesopotamia system, was created 4,000 years ago. Guido of Arezzo introduced Latin musical notation in

Catalogues of classical compositions

to have been spuriously attributed, as well as writings and other non-musical output. When such a catalogue finds general acceptance, the sequence numbers

Berthe Kal

Semser, Marie-Thérèse Cahn, who participate in the creations of the Domaine musical. She also collaborated with composer Georges Delerue for film music

Themed Entertainment Association

Return, Santa Fe, New Mexico U.S. Eco-friendly Destination: Center Parcs Domaine du Bois aux Daims, Les Trois-Moutiers, France Live Show: Le Dernier Panache

Rigaudon

39. Philadelphia: Blanchard and Lea. Guilcher, Jean-Michel. 1984. "Le domaine du rigodon: Une province originale de la danse". Le monde alpin et rhodanien

Philip Glass

Philip Glass in 1987 that the new music performed at Pierre Boulez's Domaine Musical concerts in Paris lacked any excitement for him (with the notable exceptions

Guy Deplus

du Domaine Musical". He was a soloist in the Paris Opera. Deplus received the Lifetime Achievement Award from the International Clarinet Association (for

Simha Arom

pp. 179–195. « ‘Descartes en Afrique’ : les musiques traditionnelles, domaine privilégié d’étude de la rationalité ». In V. Gomez-Pin, éd., Descartes