Explore: Chansons De Trouvères

later chansons were polyphonic and some had refrains and were called chansons avec des refrains. In its typical specialized usage, the word chanson refers

reference. The historical events the chansons allude to occur in the 8th through 10th centuries, yet the earliest chansons that have survived were probably

Adam's literary and musical works include chansons and jeux-partis (poetic debates) in the style of the trouvères; polyphonic rondel and motets in the style

the trouvères used the northern dialects of France. One of the first known trouvères was Chrétien de Troyes (fl. 1160s–1180s) and the trouvères continued

Jacques de Cambrai (fl. c. 1260–80), sometimes Jaque or Jaikes, was a trouvère from Cambrai. He composed four chansons courtoises, one pastourelle, six

Chambre des Dames. Chansons et polyphonies de trouvères (XIIe & XIIIe siècles). Studio SM D2604 1997 - Manuscrit de Tours. Chants de fête du XIIIe siècle

Eglal; Joan Tasker Grimbert; Wendy Pfeffer; Elizabeth Aubrey (2001). Songs of the Women Trouvères. New Haven: Yale UP. ISBN 0-300-08413-7. v t e v t e

poets in Old French are called "trouvères", using the Old French version of the word (for more information on the "trouvères", their poetic forms, extant

seems more probable that he followed the trade of trouvère (or jongleur) and recited his chansons, with small success apparently, in the houses of the

Songs of the Women Trouvères. New Haven: Yale UP. ISBN 0-300-08413-7. Petersen Dyggve, Holger (1934). Onomastique des trouvères. Société Philologique