Explore: Caesura In Versification

syllabic poetic metre of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines) of six syllables each

devices such as inversion, elision, masculine and feminine endings, the caesura, using secondary stress, the addition of extra-metrical syllables, or the

consists of two hemistichs (half-lines) of six syllables each, separated by a caesura (a metrical pause or word break, which may or may not be realized as a

×=unaccented syllable; (×)=optional; and |=caesura which he then further multiplied by allowing that sometimes the caesura could appear elsewhere (most commonly

actual use of metres and forms of versification are both known as prosody. (Within linguistics, "prosody" is used in a more general sense that includes

– u – – – | u u – | – u u – u – – –=long syllable; u=short syllable; |=caesura The lesser Sapphic, an 11-syllable line, with the structure: – u – x –

u as in lines 2 and 4 above. There is usually a caesura in the line after the 5th or 6th syllable. In the first part of his poetry collection, Catullus

definite fault of versification. Various positions for caesura (in the foot-based analysis) have traditional names: the caesura "in the third foot" is

practice of versification. Greek poetry is based on syllable length, not on syllable stress, as in English. The two syllable lengths in Greek poetry

prosody, dealing in turn with the measures in use in English verse, the caesura, punctuation, rhyme, accent, cadence, proportion in figure, which the