Explore: British Color Prints
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AI-Generated Overview About “british-color-prints”:
Books Results
Source: The Open Library
The Open Library Search Results
Search results from The Open Library
1Hand-coloured British prints
By Elizabeth Miller

“Hand-coloured British prints” Metadata:
- Title: Hand-coloured British prints
- Author: Elizabeth Miller
- Language: English
- Number of Pages: Median: 48
- Publisher: ➤ Victoria & Albert Pubns - Victoria and Albert Museum
- Publish Date: 1987
- Publish Location: [London]
“Hand-coloured British prints” Subjects and Themes:
- Subjects: ➤ British Color prints - Color prints, British - Exhibitions - Prints - Victoria and Albert Museum - Color prints - Technique
- Places: England - London
Edition Identifiers:
- The Open Library ID: OL1139923M
- Online Computer Library Center (OCLC) ID: 17258442
- Library of Congress Control Number (LCCN): 94108800
- All ISBNs: 0948107936 - 9780948107931
Access and General Info:
- First Year Published: 1987
- Is Full Text Available: No
- Is The Book Public: No
- Access Status: No_ebook
Online Marketplaces
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2Color printing in the nineteenth century
By University of Delaware. Library. Special Collections.
“Color printing in the nineteenth century” Metadata:
- Title: ➤ Color printing in the nineteenth century
- Author: ➤ University of Delaware. Library. Special Collections.
- Language: English
- Number of Pages: Median: 19
- Publisher: ➤ Special Collections, University of Delaware Library
- Publish Date: 1996
- Publish Location: Newark, Del
“Color printing in the nineteenth century” Subjects and Themes:
- Subjects: ➤ American Color prints - British Color prints - Color printing - Color prints - Exhibitions - History - University of Delaware - University of Delaware. Library. Special Collections - University of Delaware. Library
- Places: Delaware - Great Britain - Newark - United States
- Time: 19th century
Edition Identifiers:
Access and General Info:
- First Year Published: 1996
- Is Full Text Available: No
- Is The Book Public: No
- Access Status: No_ebook
Online Marketplaces
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3Color woodcut international
By Andrew Stevens
“Color woodcut international” Metadata:
- Title: Color woodcut international
- Author: Andrew Stevens
- Language: English
- Number of Pages: Median: 139
- Publisher: ➤ Chazen Museum of Art, University of Wisconsin-Madison
- Publish Date: 2006
- Publish Location: Madison
“Color woodcut international” Subjects and Themes:
- Subjects: ➤ Wood-engraving, Japanese - Wood-engraving, British - Exhibitions - British Color prints - Wood-engraving, American - Japanese Color prints - American Color prints - Chazen Museum of Art - Wood-engraving - Wood-engraving, japanese - Color prints, japanese - Wood-engraving, american - Wood-engraving, british
- Places: Madison - Wisconsin
- Time: 20th century
Edition Identifiers:
- The Open Library ID: OL18848684M
- Online Computer Library Center (OCLC) ID: 70668751
- Library of Congress Control Number (LCCN): 2006023307
- All ISBNs: 9780932900647 - 093290064X
Access and General Info:
- First Year Published: 2006
- Is Full Text Available: No
- Is The Book Public: No
- Access Status: No_ebook
Online Marketplaces
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- Amazon: Audiable, Kindle and printed editions.
- Ebay: New & used books.
4Hand-coloured British prints
By Elizabeth Miller
“Hand-coloured British prints” Metadata:
- Title: Hand-coloured British prints
- Author: Elizabeth Miller
- Language: English
- Number of Pages: Median: 48
- Publisher: Victoria and Albert Museum
- Publish Date: 1987
- Publish Location: London
“Hand-coloured British prints” Subjects and Themes:
- Subjects: British Color prints - Color prints - Color prints, British - Exhibitions - Technique
Edition Identifiers:
- The Open Library ID: OL22171923M
- All ISBNs: 9780948107931 - 0948107936
Access and General Info:
- First Year Published: 1987
- Is Full Text Available: No
- Is The Book Public: No
- Access Status: No_ebook
Online Marketplaces
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- Amazon: Audiable, Kindle and printed editions.
- Ebay: New & used books.
5British romantic views of the first Anglo-Burmese War, 1824-1826
By Richard M. Cooler
“British romantic views of the first Anglo-Burmese War, 1824-1826” Metadata:
- Title: ➤ British romantic views of the first Anglo-Burmese War, 1824-1826
- Author: Richard M. Cooler
- Language: English
- Number of Pages: Median: 27
- Publisher: Northern Illinois University
- Publish Date: 1977
- Publish Location: Dekalb, Ill
“British romantic views of the first Anglo-Burmese War, 1824-1826” Subjects and Themes:
- Subjects: ➤ Art and the war - British Color prints - Burmese War, 1824-1826 - Color prints, British - Exhibitions - Romanticism in art - Anglo-Burmese War, 1st, 1824-1826 - Color prints - Burmese War, 1824-1826, in art
- Places: Great Britain
- Time: 19th century
Edition Identifiers:
- The Open Library ID: OL2318751M
- Online Computer Library Center (OCLC) ID: 4239654
- Library of Congress Control Number (LCCN): 86200662
Access and General Info:
- First Year Published: 1977
- Is Full Text Available: No
- Is The Book Public: No
- Access Status: No_ebook
Online Marketplaces
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- Amazon: Audiable, Kindle and printed editions.
- Ebay: New & used books.
Wiki
Source: Wikipedia
Wikipedia Results
Search Results from Wikipedia
Color printing
Garden published in 1679 and 1701, and printed in five colors. In Japan, color woodcuts were used for both sheet prints and book illustrations, though these
Chromogenic print
exhibition of color photography in 1962.:257 Other pioneering fine-art color photographers who printed their photographs on chromogenic prints include William
Photographic print toning
color of black-and-white photographs. In analog photography, it is a chemical process carried out on metal salt-based prints, such as silver prints,
Technicolor
superior color printing, the number of high speed prints that could be struck in labs all over the country outweighed the fewer, slower number of prints that
Printmaking
print was produced using acid-free paper. Color prints can be susceptible to fading depending on the type of inks used. Lighting of sensitive prints should
Linocut
prints can also be achieved using a single piece of linoleum in what is called the "reductive" print method. Essentially, after each successive color
List of early color feature films
rolled over the whole print using an appropriate stencil to restrict the dye to selected areas of each frame. The Handschiegl color process was a comparable
Carbon print
Trichrome prints, traditional full-color prints made by layering YMC (yellow, magenta and cyan) pigment sheets. Quadrachrome prints, essentially full-color trichrome
Color motion picture film
both color matrices into a single print, avoiding several problems that had become evident with the cemented prints and allowing multiple prints to be
Rembrandt's prints
master prints. Though, like other prints, his are often loosely described as "engravings", the main technique he used was etching, with some prints entirely