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Source: The Open Library

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1The Beneventan chant

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“The Beneventan chant” Metadata:

  • Title: The Beneventan chant
  • Author:
  • Language: English
  • Number of Pages: Median: 359
  • Publisher: Cambridge University Press
  • Publish Date:
  • Publish Location: New York - Cambridge [England]

“The Beneventan chant” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 1989
  • Is Full Text Available: Yes
  • Is The Book Public: No
  • Access Status: Borrowable

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2Chant and notation in South Italy and Rome before 1300

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“Chant and notation in South Italy and Rome before 1300” Metadata:

  • Title: ➤  Chant and notation in South Italy and Rome before 1300
  • Author:
  • Language: English
  • Number of Pages: Median: 442
  • Publisher: ➤  Taylor & Francis Group - Ashgate Pub. Company
  • Publish Date:
  • Publish Location: Burlington, VT

“Chant and notation in South Italy and Rome before 1300” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 2009
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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3Musica e liturgia a Montecassino nel Medioevo

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“Musica e liturgia a Montecassino nel Medioevo” Metadata:

  • Title: ➤  Musica e liturgia a Montecassino nel Medioevo
  • Author: ➤  
  • Language: ita
  • Number of Pages: Median: 322
  • Publisher: Viella
  • Publish Date:
  • Publish Location: Roma

“Musica e liturgia a Montecassino nel Medioevo” Subjects and Themes:

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Access and General Info:

  • First Year Published: 2012
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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4La cathédrale de Bénévent

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“La cathédrale de Bénévent” Metadata:

  • Title: La cathédrale de Bénévent
  • Language: fre
  • Number of Pages: Median: 238
  • Publisher: Ludion
  • Publish Date:
  • Publish Location: Gand

“La cathédrale de Bénévent” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 1999
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

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5LA Cathedrale

De Benevent (Cathedrals of Europe)

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“LA Cathedrale” Metadata:

  • Title: LA Cathedrale
  • Author:
  • Language: English
  • Number of Pages: Median: 240
  • Publisher: Art Books Intl Ltd
  • Publish Date:

“LA Cathedrale” Subjects and Themes:

Edition Identifiers:

Access and General Info:

  • First Year Published: 2000
  • Is Full Text Available: No
  • Is The Book Public: No
  • Access Status: No_ebook

Online Access

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The book is not public therefore the download links will not allow the download of the entire book, however, borrowing the book online is available.

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    6Interlacing Traditions

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    “Interlacing Traditions” Metadata:

    • Title: Interlacing Traditions
    • Author:
    • Number of Pages: Median: 480
    • Publisher: PIMS
    • Publish Date:

    “Interlacing Traditions” Subjects and Themes:

    Edition Identifiers:

    Access and General Info:

    • First Year Published: 2016
    • Is Full Text Available: No
    • Is The Book Public: No
    • Access Status: No_ebook

    Online Access

    Downloads Are Not Available:

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      7Beneventanski notirani misal dubrovačke katedrale iz XII. stoljeća

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      “Beneventanski notirani misal dubrovačke katedrale iz XII. stoljeća” Metadata:

      • Title: ➤  Beneventanski notirani misal dubrovačke katedrale iz XII. stoljeća
      • Author:
      • Language: hrv
      • Publisher: Dubrovačke knjižnice Dubrovnik
      • Publish Date:
      • Publish Location: Zagreb

      “Beneventanski notirani misal dubrovačke katedrale iz XII. stoljeća” Subjects and Themes:

      Edition Identifiers:

      Access and General Info:

      • First Year Published: 2011
      • Is Full Text Available: No
      • Is The Book Public: No
      • Access Status: No_ebook

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      8The sources of Beneventan chant

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      “The sources of Beneventan chant” Metadata:

      • Title: ➤  The sources of Beneventan chant
      • Author:
      • Language: English
      • Publisher: Ashgate Variorum
      • Publish Date:
      • Publish Location: Farnham

      “The sources of Beneventan chant” Subjects and Themes:

      Edition Identifiers:

      Access and General Info:

      • First Year Published: 2011
      • Is Full Text Available: No
      • Is The Book Public: No
      • Access Status: No_ebook

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      9Liturgy and Law in a Dalmatian City

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      “Liturgy and Law in a Dalmatian City” Metadata:

      • Title: ➤  Liturgy and Law in a Dalmatian City
      • Author:
      • Languages: lat - English
      • Number of Pages: Median: 680
      • Publisher: PIMS
      • Publish Date:

      “Liturgy and Law in a Dalmatian City” Subjects and Themes:

      Edition Identifiers:

      Access and General Info:

      • First Year Published: 2016
      • Is Full Text Available: No
      • Is The Book Public: No
      • Access Status: No_ebook

      Online Access

      Downloads Are Not Available:

      The book is not public therefore the download links will not allow the download of the entire book, however, borrowing the book online is available.

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        Wiki

        Source: Wikipedia

        Wikipedia Results

        Search Results from Wikipedia

        Beneventan chant

        giving the chants a smooth, undulating feel. Unlike Ambrosian chants, Beneventan chants do not notably specify whether any given chant is meant to be

        Gregorian chant

        assigned particular chants to the various services. According to Donald Jay Grout, his goal was to organize the bodies of chants from diverse traditions

        Lombards

        chant is largely defined by its role in the liturgy of the Beneventan rite; many Beneventan chants were assigned multiple roles when inserted into Gregorian

        Beneventan Rite

        liturgical rite used in the "Beneventan" zone composing of Southern Italy and Dalmatia characterized by the usage of Benevenutan Chant and Script. Due to its

        Duchy of Benevento

        distinctive liturgical chant, the Beneventan chant, developed in the church of Benevento: it was not entirely superseded by Gregorian chant until the 11th century

        Ambrosian chant

        Celtic, Old Roman, and Beneventan chant traditions had all been effectively superseded by Gregorian chant. Ambrosian chant alone survived, despite the

        Introit

        meaning of the word (entrance) by being capitalized. In Ambrosian chant and Beneventan chant, the counterpart of the Introit is called the ingressa. The Lutheran

        Neume

        in the interpretation of Beneventan neumes which hold out the possibility of at least tentative reconstruction of the chants. A few manuscripts from the

        Antiphonary of St. Benigne

        from the chant repertory of the Roman-Frankish reform, were codified the first time in diastematic neumes: Old Beneventan chant (Beneventan neumes without

        Old Roman chant

        common in the Italian chant traditions such as the Ambrosian and Beneventan. Old Roman chants are often highly melismatic, with melismas blending into one