Explore: Arará (drum)

Arará exists in at least three subgroups: Arará Magino (Machino or Marino), Arará Savalú (Sabalú), and Arará Dajomé (Dahomey). The spirits of Arará are

used a wide array of percussion instruments, such as batá, abakuá and arará drums, chequerés, erikundis, maracas, claves, cencerros, bongó, tumbadoras

lamellophone and idiophone instruments used in Latin music. Trap drums Abakua and Arará drums Chekere/Shekere Erikundi Bata Cowbell Shaker Conga Cajon Guiro

lwa renew themselves through the vitality of the dancers. Music of Haiti Arará — Cuba's Rada variation. A.S. Weber. Haitian Vodou and Ecotheology. Ecumenical

Lumbalú (es) Arará religion Cuban Vodú Palo Regla de Ocha (aka. Santería) Ganga-Longoba Espiritismo Montamentu Dominican Vudú Big Drum Dance (Gwa Tambu)

Afro-Cuban folkloric dance and drum masters in the United States. Song instruction includes the Lucumí and Iyesá (Santería), Arará, Palo, and rumba traditions

traditions produced Arará, a religion found predominantly in western and central parts of the island. Although its origins are not Yoruba, Arará is sometimes

in a lot purchased in 1691 by the Arará family. The same lot is still known as el solar de los Arará (the Arará’s lot). At the time the African population

beat 1. The following 24-pulse bell pattern is used in the arará rhythm afrekete. The Arará are Cuban descendants of the Fon/Ewe ethnic group, so it's

with the addition of a kick bass drum, and sometimes a snare drum and hi-hat. Songo uses a Cuban-style timbale/drum kit hybrid, which can be anything