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1Stage Interpretation Of A Historical Work In Musical Theater (On The Example Of The Activity Of The Karakalpak State Musical Theater)

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The article reflects on the experience gained as a result of many years of creative search of the Karakalpak State Academic Musical Theatre, achievements in the art of dramaturgy, directing and acting, new trends in the modern process.

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2The Hurrian Musical Text H6. New Interpretation

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The music in the Hurrian tect H 6

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3Musical Interpretation : Its Laws And Principles, And Their Application In Teaching And Performing

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xiv, 163 pages ; 21 cm

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4Concert Song As Seen : Kinesthetic Aspects Of Musical Interpretation

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xiv, 163 pages ; 21 cm

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  • Title: ➤  Concert Song As Seen : Kinesthetic Aspects Of Musical Interpretation
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5The Dynamic Performance : A Performer's Guide To Musical Expression And Interpretation

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xiv, 163 pages ; 21 cm

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6Turning Notes Into Music : An Introduction To Musical Interpretation

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xiv, 163 pages ; 21 cm

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  • Title: ➤  Turning Notes Into Music : An Introduction To Musical Interpretation
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7Analytical Strategies And Musical Interpretation : Essays On Nineteenth- And Twentieth-century Music

xiv, 163 pages ; 21 cm

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  • Title: ➤  Analytical Strategies And Musical Interpretation : Essays On Nineteenth- And Twentieth-century Music
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8Concert Song As Seen : Kinesthetic Aspects Of Musical Interpretation

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xiv, 163 pages ; 21 cm

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9Musical Accompaniment Of Moving Pictures; A Practical Manual For Pianists And Organists And An Exposition Of The Principles Underlying The Musical Interpretation Of Moving Pictures

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Includes index

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10Musical Intervals Under 12-note Equal Temperament: A Geometrical Interpretation

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Musical intervals in multiple of semitones under 12-note equal temperament, or more specifically pitch-class subsets of assigned cardinality ($n$-chords) are conceived as positive integer points within an Euclidean $n$-space. The number of distinct $n$-chords is inferred from combinatorics with the extension to $n=0$, involving an Euclidean 0-space. The number of repeating $n$-chords, or points which are turned into themselves during a circular permutation, $T_n$, of their coordinates, is inferred from algebraic considerations. Finally, the total number of $n$-chords and the number of $T_n$ set classes are determined. Palindrome and pseudo palindrome $n$-chords are defined and included among repeating $n$-chords, with regard to an equivalence relation, $T_n/T_nI$, where reflection is added to circular permutation. To this respect, the number of $T_n$ set classes is inferred concerning palindrome and pseudo palindrome $n$-chords and the remaining $n$-chords. The above results are reproduced within the framework of a geometrical interpretation, where positive integer points related to $n$-chords of cardinality, $n$, belong to a regular inclined $n$-hedron, $\Psi_{12}^n$, the vertexes lying on the coordinate axes of a Cartesian orthogonal reference frame at a distance, $x_i=12$, $1\le i\le n$, from the origin. Considering $\Psi_{12}^n$ as special cases of lattice polytopes, the number of related nonnegative integer points is also determined for completeness. A comparison is performed with the results inferred from group theory.

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11Cosmic Music : Musical Keys To The Interpretation Of Reality : Essays

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Musical intervals in multiple of semitones under 12-note equal temperament, or more specifically pitch-class subsets of assigned cardinality ($n$-chords) are conceived as positive integer points within an Euclidean $n$-space. The number of distinct $n$-chords is inferred from combinatorics with the extension to $n=0$, involving an Euclidean 0-space. The number of repeating $n$-chords, or points which are turned into themselves during a circular permutation, $T_n$, of their coordinates, is inferred from algebraic considerations. Finally, the total number of $n$-chords and the number of $T_n$ set classes are determined. Palindrome and pseudo palindrome $n$-chords are defined and included among repeating $n$-chords, with regard to an equivalence relation, $T_n/T_nI$, where reflection is added to circular permutation. To this respect, the number of $T_n$ set classes is inferred concerning palindrome and pseudo palindrome $n$-chords and the remaining $n$-chords. The above results are reproduced within the framework of a geometrical interpretation, where positive integer points related to $n$-chords of cardinality, $n$, belong to a regular inclined $n$-hedron, $\Psi_{12}^n$, the vertexes lying on the coordinate axes of a Cartesian orthogonal reference frame at a distance, $x_i=12$, $1\le i\le n$, from the origin. Considering $\Psi_{12}^n$ as special cases of lattice polytopes, the number of related nonnegative integer points is also determined for completeness. A comparison is performed with the results inferred from group theory.

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12Musical Interpretation, Its Laws And Principles, And Their Application In ...

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Musical Interpretation, Its Laws and Principles, and Their Application in ...

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13Kroma Theou : On The Origins And Theological Interpretation Of The Musical Imagery Used By The Ecclesiastical Writers Of The First Three Centuries ; With Special Reference To The Imagery Of Orpheus

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Musical Interpretation, Its Laws and Principles, and Their Application in ...

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  • Language: English

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14Musical Interpretation : Its Laws And Principles, And Their Application In Teaching And Performing

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xiv, 168 p. : 22 cm

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15Do-Re-Mi (A Modern Interpretation Of The Hit Broadway Musical)

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Tracklist: 1. Cry Like The Wind 2. Adventure 3. Make Someone Happy 4. Ambition 5. All You Need Is A Quarter 6. All Of My Life 7. I Know About Love 8. Fireworks 9. Asking For You 10. It's Legitimate

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16The Practice Of Performance : Studies In Musical Interpretation

Tracklist: 1. Cry Like The Wind 2. Adventure 3. Make Someone Happy 4. Ambition 5. All You Need Is A Quarter 6. All Of My Life 7. I Know About Love 8. Fireworks 9. Asking For You 10. It's Legitimate

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17Theory Of Interpretation Applied To Artistic Musical Performance

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7

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18Musical Interpretation : Its Laws And Principles, And Their Application In Teaching And Performing

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7

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19Do-Re-Mi (A Modern Interpretation Of The Hit Broadway Musical)

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Tracklist: 1. Cry Like The Wind 2. Adventure 3. Make Someone Happy 4. Ambition 5. All You Need Is A Quarter 6. All Of My Life 7. I Know About Love 8. Fireworks 9. Asking For You 10. It's Legitimate

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20Sonq Dynasty Musical Sources And Their Interpretation

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Tracklist: 1. Cry Like The Wind 2. Adventure 3. Make Someone Happy 4. Ambition 5. All You Need Is A Quarter 6. All Of My Life 7. I Know About Love 8. Fireworks 9. Asking For You 10. It's Legitimate

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21J. S. Bach's Musical Offering; History, Interpretation, And Analysis

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Tracklist: 1. Cry Like The Wind 2. Adventure 3. Make Someone Happy 4. Ambition 5. All You Need Is A Quarter 6. All Of My Life 7. I Know About Love 8. Fireworks 9. Asking For You 10. It's Legitimate

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22Musical Interpretation

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Tracklist: 1. Cry Like The Wind 2. Adventure 3. Make Someone Happy 4. Ambition 5. All You Need Is A Quarter 6. All Of My Life 7. I Know About Love 8. Fireworks 9. Asking For You 10. It's Legitimate

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23Musical Interpretation, Its Laws And Principles, And Their Application In ...

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Book digitized by Google and uploaded to the Internet Archive by user tpb.

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24Theory Of Interpretation Applied To Artistic Musical Performance

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293 pages 24 cm

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25The Musical Interpretation Of Shakespeare On The Modern Stage

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"The Musical Interpretation of Shakespeare on the Modern Stage" is an article from The Musical Quarterly, Volume 2 . View more articles from The Musical Quarterly . View this article on JSTOR . View this article's JSTOR metadata . You may also retrieve all of this items metadata in JSON at the following URL: https://archive.org/metadata/jstor-737936

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26The Scarlet Ibis (musical Interpretation)

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Exclusively uploaded to Bandcamp https://fortuneeight.bandcamp.com/album/the-scarlet-ibis-musical-interpretation Description: In school, I was assigned to make a poem, but I decided to make music to go along with it. This is the music that went along with it. art is called "moonlight clouds dancing in the stars", made by my sister with love. ------------------- It was all wrong. Our hearts nearly died when my brother was born, But time ticked, and he lived. At the age of two, he started to crawl. Goofily at first, then He learned to crawl, in reverse. It was an interesting sight, Reminding me of a doodlebug, And so he was named. He was always wanting to follow me around, Becoming "a burden in many ways". It was as if cautionary tape was put around an innocent child. Ignorant, I took him to my heaven, Which is where I taught him how to walk. After weeks, we had our first success - He had figured out how to stand. This, however, was a spurious solitude During the turmoil of my pride. That fire of ambition - It kept resonating with want for more. After showing his parents my power, I worked him harder. Through the darkness and storms and internal wars, I forced him. To run, to swim, To be a "normal kid". Through my blood-red anger and irascible pride, I led him into oblivion. The void of the things he didn't want. He didn’t deserve that type of torture. But my own self wouldn’t let me stop. As fate had it, we were sent a sign. One of a weak, dying bird. My brother was sympathetic to it - It was like him, in a way. However, likewise, on a fateful day, Doodle, my precious bird, the soul of my pride, Died by my own ignorance, my pride assuring me that "he could catch up!"- Died of my own abandonment of him. And I wept, and God wept, and the gloaming signaled the Sun’s disappointment in me. The winds were so surrounding- -However, a part of my soul died with Doodle. That devilish pride within me had faded, And even with my parents insisting "it’s not your fault-" I had learned my lesson. -------------------  

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27Theory Of Interpretation Applied To Artistic Musical Performance

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22

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28John Sangster - A Musical Interpretation Of The Lord Of The Rings : The Fellowship Of The Ring (vinyl Rip)

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Vinyl rip of the hard to find jazz interpretation of the lord of the rings, part one by John Sangster and His Orchestra

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29Musical Interpretation

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Vinyl rip of the hard to find jazz interpretation of the lord of the rings, part one by John Sangster and His Orchestra

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30The History Of Music In Performance; The Art Of Musical Interpretation From The Renaissance To Our Day

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Vinyl rip of the hard to find jazz interpretation of the lord of the rings, part one by John Sangster and His Orchestra

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31A Modern Musical Interpretation Of Walt Disney's Snow White And The Seven Dwarfs

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Tracklist: 1. Snow White Overture 2. I'm Wishing 3. One Song 4. With A Smile And A Song 5. Whistle While You Work 6. Bluddle-uddle-um-dum 7. Heigh Ho, Heigh Ho 8. Prayer At Evening 9. The Silly Song 10. Some Day My Prince Will Come 11. One Song 12. Snow White Finale

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32Musical Interpretation, Its Laws And Principles, And Their Application In Teaching And Performing

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33Musical Interpretation

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34Violin Master Works & Their Interpretation. With A Foreword By Frederick H. Martens And 360 Musical Illustrations.

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35Musical Interpretation, Its Laws And Principles, And Their Application In ...

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Book digitized by Google from the library of Harvard University and uploaded to the Internet Archive by user tpb.

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36MUSICAL INTERPRETATION

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Source: The Open Library

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1Musical interpretation, its laws and principles

and their application in teaching and performing

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“Musical interpretation, its laws and principles” Metadata:

  • Title: ➤  Musical interpretation, its laws and principles
  • Author:
  • Language: English
  • Number of Pages: Median: 163
  • Publisher: ➤  The Boston Music Company - The Boston Music Co. (G. Schirmer, Inc.) - Books for Libraries Press - Schirmer; Sole agents for U.S.A., The Boston Music Company
  • Publish Date:
  • Publish Location: ➤  Boston - Freeport, N.Y - Boston, Mass

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  • First Year Published: 1913
  • Is Full Text Available: Yes
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    2Musical interpretation

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    “Musical interpretation” Metadata:

    • Title: Musical interpretation
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    • Language: English
    • Number of Pages: Median: 163
    • Publisher: Boston Music Co.
    • Publish Date:
    • Publish Location: Boston

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    • First Year Published: 1913
    • Is Full Text Available: Yes
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      3Musical interpretation

      its laws and principles, and their application in teaching and performing

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      “Musical interpretation” Metadata:

      • Title: Musical interpretation
      • Author:
      • Language: English
      • Number of Pages: Median: 168
      • Publisher: Boston Music Co.
      • Publish Date:
      • Publish Location: Boston, Mass

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      • First Year Published: 1913
      • Is Full Text Available: Yes
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      • Access Status: Public

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        • Publisher: ➤  The Boston Music Co. (G. Schirmer, Inc.)
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        • First Year Published: 1913
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          “Musical Interpretation” Metadata:

          • Title: Musical Interpretation
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          • Language: English
          • Number of Pages: Median: 190
          • Publisher: ➤  The Boston Company - Boston Music Co. - The Boston Music Company - THE BOSTOB MUSIC COMPANY
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          • First Year Published: 1913
          • Is Full Text Available: Yes
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