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xiii, 306 p. 26 cm

Translated from French by Jonathan Griffin, a comprehensive textbook on the Baroque and Rococo movements across Europe 

Translated from French by Jonathan Griffin, a comprehensive textbook on the Baroque and Rococo movements across Europe 

Translated from French by Jonathan Griffin, a comprehensive textbook on the Baroque and Rococo movements across Europe 

Includes bibliographical references (p. 72)

Includes bibliographical references (p. 72)

T HE spirit of the Counter-Reformation and the Catholic . Revival that followed it found expression in a new style of architecture that was dynamic, emotional and dramatic. It is only in recent years that this style has begun to be appreciated and understood by the layman as well as the scholar. By bringing together in one comprehensive volume the whole subject of Baroque in its historical context and illustrating it with the brilliant photographs ofWim Swaan, Anthony Blunt has produced a wide-ranging and authoritative study, fresh for the specialist and a sure guide for the general reader to its complex and powerful features. Anthony Blunt starts by tracing the origin of Baroque architecture in Rome during the first half of the 17th century through the genius of Bernini, Borromini and Pietro da Cortona. These artists invented designs in architecture and decoration — bold movement in space, dramatic illusionism in paint, stucco and marble — to express the revival of the Roman church. From Rome the Baroque spread to Northern Italy where it produced the fantasies of Guarini and the theatrical splendour ofJuvarra, and to the South to Naples and Sicily, where it developed special forms conditioned by the love of the southerner for rich colour. A major section is devoted to the architecture, and its decoration, of Central Europe, the centre of the second great flowering of the Baroque. In Vienna and lower Austria a fever of building, both secular and ecclesiastical, took place and the period saw the erection of great Viennese palaces by Fischer von Eriach and Hildebrandt, and the splendid masterpieces of Melk and Altenburg. In Bohemia and Franconia a different style employing complex structures was established by the Dietzenhofer family and Balthasar Neumann, and in Southern Germany Cuvillies and Dominikus Zimmerman produced work in the true Rococo spirit. French Baroque architecture owes much to Rome. The grand-scale planning of Francois Mansart's chateaux, the whole conception of Versailles, and the last public buildings of Louis XIV's reign, the Invalides, the chapel of Versailles and the Place Vendome, are firmly Baroque in expression. In the Protestant countries of Northern Europe the style met with a more limited welcome. In ecclesiastical architecture there are individual Baroque features, such as Wren's west towers of St Paul's, but it was in secular architecture, in Castle Howard, Chatsworth and Blenheim in particular, that Baroque ideas were more suited to expressing the power ofsovereigns or wealthy individuals. The volume concludes with a discussion of the architecture of the period in Spain and Spanish America, which has something in common with the true Baroque of Rome, and in Portugal and Brazil whose most significant buildings, particularly in their decoration, were a real development from Italian Baroque. Each part of the text is illustrated by magnificent photographs taken specially by Wim Swaan, whose work is well known from his many books, or by engravings, plans and photographs selected to complement his work. Sir Anthony Blunt was Surveyor of the Queen's pictures from 1952 to 1972 and until 1974 was Director of the Courtauld Institute of Art in London. The author of numerous books on art and architecture, his main work was in the field of French and halian art of the seventeenth century. He wrote the major portion of this study and was joined by Aiastair Laing, an authority on German Baroque and Rococo, Kerry Downs, lecturer in art history at Reading University, on England, and Christopher Tadgell, lecturer at the School of Architecture. Canterbury, on France.

T HE spirit of the Counter-Reformation and the Catholic . Revival that followed it found expression in a new style of architecture that was dynamic, emotional and dramatic. It is only in recent years that this style has begun to be appreciated and understood by the layman as well as the scholar. By bringing together in one comprehensive volume the whole subject of Baroque in its historical context and illustrating it with the brilliant photographs ofWim Swaan, Anthony Blunt has produced a wide-ranging and authoritative study, fresh for the specialist and a sure guide for the general reader to its complex and powerful features. Anthony Blunt starts by tracing the origin of Baroque architecture in Rome during the first half of the 17th century through the genius of Bernini, Borromini and Pietro da Cortona. These artists invented designs in architecture and decoration — bold movement in space, dramatic illusionism in paint, stucco and marble — to express the revival of the Roman church. From Rome the Baroque spread to Northern Italy where it produced the fantasies of Guarini and the theatrical splendour ofJuvarra, and to the South to Naples and Sicily, where it developed special forms conditioned by the love of the southerner for rich colour. A major section is devoted to the architecture, and its decoration, of Central Europe, the centre of the second great flowering of the Baroque. In Vienna and lower Austria a fever of building, both secular and ecclesiastical, took place and the period saw the erection of great Viennese palaces by Fischer von Eriach and Hildebrandt, and the splendid masterpieces of Melk and Altenburg. In Bohemia and Franconia a different style employing complex structures was established by the Dietzenhofer family and Balthasar Neumann, and in Southern Germany Cuvillies and Dominikus Zimmerman produced work in the true Rococo spirit. French Baroque architecture owes much to Rome. The grand-scale planning of Francois Mansart's chateaux, the whole conception of Versailles, and the last public buildings of Louis XIV's reign, the Invalides, the chapel of Versailles and the Place Vendome, are firmly Baroque in expression. In the Protestant countries of Northern Europe the style met with a more limited welcome. In ecclesiastical architecture there are individual Baroque features, such as Wren's west towers of St Paul's, but it was in secular architecture, in Castle Howard, Chatsworth and Blenheim in particular, that Baroque ideas were more suited to expressing the power ofsovereigns or wealthy individuals. The volume concludes with a discussion of the architecture of the period in Spain and Spanish America, which has something in common with the true Baroque of Rome, and in Portugal and Brazil whose most significant buildings, particularly in their decoration, were a real development from Italian Baroque. Each part of the text is illustrated by magnificent photographs taken specially by Wim Swaan, whose work is well known from his many books, or by engravings, plans and photographs selected to complement his work. Sir Anthony Blunt was Surveyor of the Queen's pictures from 1952 to 1972 and until 1974 was Director of the Courtauld Institute of Art in London. The author of numerous books on art and architecture, his main work was in the field of French and halian art of the seventeenth century. He wrote the major portion of this study and was joined by Aiastair Laing, an authority on German Baroque and Rococo, Kerry Downs, lecturer in art history at Reading University, on England, and Christopher Tadgell, lecturer at the School of Architecture. Canterbury, on France.

T HE spirit of the Counter-Reformation and the Catholic . Revival that followed it found expression in a new style of architecture that was dynamic, emotional and dramatic. It is only in recent years that this style has begun to be appreciated and understood by the layman as well as the scholar. By bringing together in one comprehensive volume the whole subject of Baroque in its historical context and illustrating it with the brilliant photographs ofWim Swaan, Anthony Blunt has produced a wide-ranging and authoritative study, fresh for the specialist and a sure guide for the general reader to its complex and powerful features. Anthony Blunt starts by tracing the origin of Baroque architecture in Rome during the first half of the 17th century through the genius of Bernini, Borromini and Pietro da Cortona. These artists invented designs in architecture and decoration — bold movement in space, dramatic illusionism in paint, stucco and marble — to express the revival of the Roman church. From Rome the Baroque spread to Northern Italy where it produced the fantasies of Guarini and the theatrical splendour ofJuvarra, and to the South to Naples and Sicily, where it developed special forms conditioned by the love of the southerner for rich colour. A major section is devoted to the architecture, and its decoration, of Central Europe, the centre of the second great flowering of the Baroque. In Vienna and lower Austria a fever of building, both secular and ecclesiastical, took place and the period saw the erection of great Viennese palaces by Fischer von Eriach and Hildebrandt, and the splendid masterpieces of Melk and Altenburg. In Bohemia and Franconia a different style employing complex structures was established by the Dietzenhofer family and Balthasar Neumann, and in Southern Germany Cuvillies and Dominikus Zimmerman produced work in the true Rococo spirit. French Baroque architecture owes much to Rome. The grand-scale planning of Francois Mansart's chateaux, the whole conception of Versailles, and the last public buildings of Louis XIV's reign, the Invalides, the chapel of Versailles and the Place Vendome, are firmly Baroque in expression. In the Protestant countries of Northern Europe the style met with a more limited welcome. In ecclesiastical architecture there are individual Baroque features, such as Wren's west towers of St Paul's, but it was in secular architecture, in Castle Howard, Chatsworth and Blenheim in particular, that Baroque ideas were more suited to expressing the power ofsovereigns or wealthy individuals. The volume concludes with a discussion of the architecture of the period in Spain and Spanish America, which has something in common with the true Baroque of Rome, and in Portugal and Brazil whose most significant buildings, particularly in their decoration, were a real development from Italian Baroque. Each part of the text is illustrated by magnificent photographs taken specially by Wim Swaan, whose work is well known from his many books, or by engravings, plans and photographs selected to complement his work. Sir Anthony Blunt was Surveyor of the Queen's pictures from 1952 to 1972 and until 1974 was Director of the Courtauld Institute of Art in London. The author of numerous books on art and architecture, his main work was in the field of French and halian art of the seventeenth century. He wrote the major portion of this study and was joined by Aiastair Laing, an authority on German Baroque and Rococo, Kerry Downs, lecturer in art history at Reading University, on England, and Christopher Tadgell, lecturer at the School of Architecture. Canterbury, on France.

T HE spirit of the Counter-Reformation and the Catholic . Revival that followed it found expression in a new style of architecture that was dynamic, emotional and dramatic. It is only in recent years that this style has begun to be appreciated and understood by the layman as well as the scholar. By bringing together in one comprehensive volume the whole subject of Baroque in its historical context and illustrating it with the brilliant photographs ofWim Swaan, Anthony Blunt has produced a wide-ranging and authoritative study, fresh for the specialist and a sure guide for the general reader to its complex and powerful features. Anthony Blunt starts by tracing the origin of Baroque architecture in Rome during the first half of the 17th century through the genius of Bernini, Borromini and Pietro da Cortona. These artists invented designs in architecture and decoration — bold movement in space, dramatic illusionism in paint, stucco and marble — to express the revival of the Roman church. From Rome the Baroque spread to Northern Italy where it produced the fantasies of Guarini and the theatrical splendour ofJuvarra, and to the South to Naples and Sicily, where it developed special forms conditioned by the love of the southerner for rich colour. A major section is devoted to the architecture, and its decoration, of Central Europe, the centre of the second great flowering of the Baroque. In Vienna and lower Austria a fever of building, both secular and ecclesiastical, took place and the period saw the erection of great Viennese palaces by Fischer von Eriach and Hildebrandt, and the splendid masterpieces of Melk and Altenburg. In Bohemia and Franconia a different style employing complex structures was established by the Dietzenhofer family and Balthasar Neumann, and in Southern Germany Cuvillies and Dominikus Zimmerman produced work in the true Rococo spirit. French Baroque architecture owes much to Rome. The grand-scale planning of Francois Mansart's chateaux, the whole conception of Versailles, and the last public buildings of Louis XIV's reign, the Invalides, the chapel of Versailles and the Place Vendome, are firmly Baroque in expression. In the Protestant countries of Northern Europe the style met with a more limited welcome. In ecclesiastical architecture there are individual Baroque features, such as Wren's west towers of St Paul's, but it was in secular architecture, in Castle Howard, Chatsworth and Blenheim in particular, that Baroque ideas were more suited to expressing the power ofsovereigns or wealthy individuals. The volume concludes with a discussion of the architecture of the period in Spain and Spanish America, which has something in common with the true Baroque of Rome, and in Portugal and Brazil whose most significant buildings, particularly in their decoration, were a real development from Italian Baroque. Each part of the text is illustrated by magnificent photographs taken specially by Wim Swaan, whose work is well known from his many books, or by engravings, plans and photographs selected to complement his work. Sir Anthony Blunt was Surveyor of the Queen's pictures from 1952 to 1972 and until 1974 was Director of the Courtauld Institute of Art in London. The author of numerous books on art and architecture, his main work was in the field of French and halian art of the seventeenth century. He wrote the major portion of this study and was joined by Aiastair Laing, an authority on German Baroque and Rococo, Kerry Downs, lecturer in art history at Reading University, on England, and Christopher Tadgell, lecturer at the School of Architecture. Canterbury, on France.

T HE spirit of the Counter-Reformation and the Catholic . Revival that followed it found expression in a new style of architecture that was dynamic, emotional and dramatic. It is only in recent years that this style has begun to be appreciated and understood by the layman as well as the scholar. By bringing together in one comprehensive volume the whole subject of Baroque in its historical context and illustrating it with the brilliant photographs ofWim Swaan, Anthony Blunt has produced a wide-ranging and authoritative study, fresh for the specialist and a sure guide for the general reader to its complex and powerful features. Anthony Blunt starts by tracing the origin of Baroque architecture in Rome during the first half of the 17th century through the genius of Bernini, Borromini and Pietro da Cortona. These artists invented designs in architecture and decoration — bold movement in space, dramatic illusionism in paint, stucco and marble — to express the revival of the Roman church. From Rome the Baroque spread to Northern Italy where it produced the fantasies of Guarini and the theatrical splendour ofJuvarra, and to the South to Naples and Sicily, where it developed special forms conditioned by the love of the southerner for rich colour. A major section is devoted to the architecture, and its decoration, of Central Europe, the centre of the second great flowering of the Baroque. In Vienna and lower Austria a fever of building, both secular and ecclesiastical, took place and the period saw the erection of great Viennese palaces by Fischer von Eriach and Hildebrandt, and the splendid masterpieces of Melk and Altenburg. In Bohemia and Franconia a different style employing complex structures was established by the Dietzenhofer family and Balthasar Neumann, and in Southern Germany Cuvillies and Dominikus Zimmerman produced work in the true Rococo spirit. French Baroque architecture owes much to Rome. The grand-scale planning of Francois Mansart's chateaux, the whole conception of Versailles, and the last public buildings of Louis XIV's reign, the Invalides, the chapel of Versailles and the Place Vendome, are firmly Baroque in expression. In the Protestant countries of Northern Europe the style met with a more limited welcome. In ecclesiastical architecture there are individual Baroque features, such as Wren's west towers of St Paul's, but it was in secular architecture, in Castle Howard, Chatsworth and Blenheim in particular, that Baroque ideas were more suited to expressing the power ofsovereigns or wealthy individuals. The volume concludes with a discussion of the architecture of the period in Spain and Spanish America, which has something in common with the true Baroque of Rome, and in Portugal and Brazil whose most significant buildings, particularly in their decoration, were a real development from Italian Baroque. Each part of the text is illustrated by magnificent photographs taken specially by Wim Swaan, whose work is well known from his many books, or by engravings, plans and photographs selected to complement his work. Sir Anthony Blunt was Surveyor of the Queen's pictures from 1952 to 1972 and until 1974 was Director of the Courtauld Institute of Art in London. The author of numerous books on art and architecture, his main work was in the field of French and halian art of the seventeenth century. He wrote the major portion of this study and was joined by Aiastair Laing, an authority on German Baroque and Rococo, Kerry Downs, lecturer in art history at Reading University, on England, and Christopher Tadgell, lecturer at the School of Architecture. Canterbury, on France.

T HE spirit of the Counter-Reformation and the Catholic . Revival that followed it found expression in a new style of architecture that was dynamic, emotional and dramatic. It is only in recent years that this style has begun to be appreciated and understood by the layman as well as the scholar. By bringing together in one comprehensive volume the whole subject of Baroque in its historical context and illustrating it with the brilliant photographs ofWim Swaan, Anthony Blunt has produced a wide-ranging and authoritative study, fresh for the specialist and a sure guide for the general reader to its complex and powerful features. Anthony Blunt starts by tracing the origin of Baroque architecture in Rome during the first half of the 17th century through the genius of Bernini, Borromini and Pietro da Cortona. These artists invented designs in architecture and decoration — bold movement in space, dramatic illusionism in paint, stucco and marble — to express the revival of the Roman church. From Rome the Baroque spread to Northern Italy where it produced the fantasies of Guarini and the theatrical splendour ofJuvarra, and to the South to Naples and Sicily, where it developed special forms conditioned by the love of the southerner for rich colour. A major section is devoted to the architecture, and its decoration, of Central Europe, the centre of the second great flowering of the Baroque. In Vienna and lower Austria a fever of building, both secular and ecclesiastical, took place and the period saw the erection of great Viennese palaces by Fischer von Eriach and Hildebrandt, and the splendid masterpieces of Melk and Altenburg. In Bohemia and Franconia a different style employing complex structures was established by the Dietzenhofer family and Balthasar Neumann, and in Southern Germany Cuvillies and Dominikus Zimmerman produced work in the true Rococo spirit. French Baroque architecture owes much to Rome. The grand-scale planning of Francois Mansart's chateaux, the whole conception of Versailles, and the last public buildings of Louis XIV's reign, the Invalides, the chapel of Versailles and the Place Vendome, are firmly Baroque in expression. In the Protestant countries of Northern Europe the style met with a more limited welcome. In ecclesiastical architecture there are individual Baroque features, such as Wren's west towers of St Paul's, but it was in secular architecture, in Castle Howard, Chatsworth and Blenheim in particular, that Baroque ideas were more suited to expressing the power ofsovereigns or wealthy individuals. The volume concludes with a discussion of the architecture of the period in Spain and Spanish America, which has something in common with the true Baroque of Rome, and in Portugal and Brazil whose most significant buildings, particularly in their decoration, were a real development from Italian Baroque. Each part of the text is illustrated by magnificent photographs taken specially by Wim Swaan, whose work is well known from his many books, or by engravings, plans and photographs selected to complement his work. Sir Anthony Blunt was Surveyor of the Queen's pictures from 1952 to 1972 and until 1974 was Director of the Courtauld Institute of Art in London. The author of numerous books on art and architecture, his main work was in the field of French and halian art of the seventeenth century. He wrote the major portion of this study and was joined by Aiastair Laing, an authority on German Baroque and Rococo, Kerry Downs, lecturer in art history at Reading University, on England, and Christopher Tadgell, lecturer at the School of Architecture. Canterbury, on France.

Bibliography: p. 218-221

Bibliography: p. 218-221

Bibliography: p. 218-221

Bibliography: p. 218-221

Bibliography: p. 218-221

Bibliography: p. 218-221

Bibliography: p. 218-221

LibriVox volunteers bring you 15 different recordings of <em>Summer Magic</em> by Leslie Pinckney Hill. This was the weekly poetry project for the week of July 22nd, 2007.

A short story of a little girl who is Jesus' servant and how she won the heart of an unbelieving gardener. Summary by Esther

3Marcia Schuyler

By Grace Livingston Hill

A compelling love triangle. Marcia is young & sweet. Her older sister Kate is vain & selfish. Marcia deeply admires the man that Kate is to marry: handsome & respected David Spafford. But on the eve of the wedding, Kate elopes with another man. Marcia is there when the note is found...the note that effectively breaks David's heart. Out of pity for his situation, Marcia offers to take Kate's place, in order to save David from humiliation. She grows in love for him, all the while aware that he's still grieving for his lost Kate. What will happen when Kate returns, fully intending to get David back? Will Marcia have the strength to fight for the man she now loves? (Summary by Chloey Winters)

Second book in the Marcia Schuyler trilogy. Phoebe Deane lives almost as a servant in her brother's home, tormented by her hateful sister-in-law. Schemes to marry her off swirl around her. Her fate seems to be marriage to an abusive man with several disobedient children, until a chance encounter in the woods one afternoon changes the course of her destiny. (Summary by TriciaG)

5Cloudy Jewel

By Grace Livingston Hill

Julia Cloud, the oldest--and most responsible--child of her family, helped raise her four siblings due to their mother's long-time illness and father's death. After faithfully nursing two ill brothers (who died), she then cared for her invalid mother for many years. When Julia's mother passes on, her only surviving sibling Ellen fully expects--and nearly demands--that her spinster sister come live with her family. But to earn her keep, Julia must be their live-in housekeeper and babysitter for Ellen's four children. But Julia's college-age niece and nephew arrive unexpectedly from California and offer Aunt Cloudy Jewel a surprise opportunity she never expected in her wildest dreams. (Summary by Joy Easton)

The Hollisters, a bright, spirited, wholesome family, are compelled to move into the country. After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them. (Summary from publisher)

Cyril Gordon, a young and handsome secret service agent is running from pursuers who desperately want the information he holds. He hides out from them in a church, and then finds himself married to a woman he’s never seen before. A sweet and sometimes, funny, romance, with several exciting chases. (Summary by Gail Mattern)

Jasper Holt was a neglected child. As a consequence, he grew up to be angry and independent - generally good, but not caring what others thought of him... until he met Jean Grayson, the first truly good person he ever met. He knew she was out of reach to him due to his bad reputation. Her very existence and belief in him is motivation for him to change. - Summary by TriciaG

9Mystery of Mary

By Grace Livingston Hill

Handsome young Tryon Dunham has just returned home on the train from a business trip one evening when he's accosted by a beautiful young woman at the station. She's terrified that she's being followed and asks Dunham if she may walk with him away from the station. Her manner and appearance are those of a well-dressed and well-bred lady. However, she refuses to tell Tryon her real name or why she is running away. He feels a responsibility for her and arranges for her to accompany him to a dinner party where she delights everyone there with her exceptional musical talent at the piano. Tryon then assists her in leaving the city on a later train that same night. Captivated by her beauty and talent, he is determined to solve the mystery of her identity. What frightened her so badly that she would leave wearing only the clothes on her back and no money? Is she an adventuress or thief masquerading as a lady in distress? A beautiful lunatic who has escaped an asylum? An heiress who has been declared missing? Tryon will not stop searching until he knows the answer. (Introduction by Lee Ann Howlett.)

10Girl from Montana

By Grace Livingston Hill

Young Elizabeth, left orphaned by an evildoer who murders her last brother, flees Montana on horseback to find her remaining relatives in the East. Her social and spiritual journey leads her through harrowing encounters, struggles between good and evil, romance and, ultimately, love and fortune. Classic Grace Livingston Hill. (Introduction by Gail Mattern)

11Voice in the Wilderness

By Grace Livingston Hill

Margaret leaves her family home and security to become a school teacher in the wilds of early Arizona. Accidentally getting off her safe and warm train at the wrong place, she encounters first hand the wildness and beauty of the vast West and its interesting inhabitants. (Summary by JaneAusten7)

12Chocolate and Cocoa Recipes and Home Made Candy Recipes

By Janet McKenzie Hill and Maria Parloa

A selection of chocolate recipes which were produced for Walter Baker & Co, the oldest producer of chocolate in the United States. Advertisements used by Walter Baker & Co can be found in Section 7. They are read by: <a href="https://librivox.org/reader/92">Cori Samuel</a>, <a href="https://librivox.org/reader/167">Peter Why</a>, <a href="https://librivox.org/reader/2911">David Lawrence</a>, <a href="https://librivox.org/reader/4323">BookAngel7</a>, <a href="https://librivox.org/reader/5468">ashleighjane</a> and <a href="https://librivox.org/reader/8545">Joanne Rochon</a>. (Summary by ashleighjane)

A dark, dreary boardinghouse, with unpalatable meals and slovenly housekeeping is all she can afford. But God will give Celia just what she needs each day - a daily rate. (Summary by TriciaG)

14Aunt Crete's Emancipation

By Grace Livingston Hill

Aunt Lucretia — 'Crete' to her family — is a sweet, patient older woman, who lives with her narrow-minded sister and spoilt niece, acting as their unpaid and unappreciated domestic servant. When they leave town in order to avoid the unexpected visit of a "backwoods" cousin, she is left at home to welcome him. She's willing to love him whatever he's like, and he's looking for a home having lost his mother years before, so the two are ready to become fast friends. But what does that mean for Aunt Crete's prejudiced relatives and how can their wrongs against her be remedied? - Summary by Cori

15Marcia Schuyler (version 2)

By Grace Livingston Hill

A compelling love triangle. Marcia is young & sweet. Her older sister Kate is vain & selfish. Marcia deeply admires the man that Kate is to marry: handsome & respected David Spafford. But on the eve of the wedding, Kate elopes with another man. Marcia is there when the note is found...the note that effectively breaks David's heart. Out of pity for his situation, Marcia offers to take Kate's place, in order to save David from humiliation. She grows in love for him, all the while aware that he's still grieving for his lost Kate. What will happen when Kate returns, fully intending to get David back? Will Marcia have the strength to fight for the man she now loves? (Summary by Chloey Winters) The song excerpts in Chapter 24 come from an old Italian song "Caro mio ben" - "Dearest believe" by Giuseppe Giordani (1751-1798). A copy of the song from 1877 is available from the US Library of Congress http://www.loc.gov/item/sm1877.15548/</p>

The third book in the Marcia Schuyler/Miranda trilogy, this story focuses on the irrepressible Miranda Griscom. She has repeatedly rejected a wealthy suitor's proposals of marriage. The townsfolk are puzzled: why would she give up such a chance? But "jest plain, hombly, turn-upnose, freckle-faced, red-haired M'randy Griscom" has a long-secret love for a man who was accused of murder, whose escape she orchestrated. (Summary by TriciaG)

17Witness

By Grace Livingston Hill

Paul Cortland seems to have it all as a popular, successful athlete and college student. Tragedy leads him to find peace through the faith of a classmate. Paul must overcome temptations of his own emotions and troublesome friends to grow in his faith. He struggles to make his mark in a positive way to those he meets. - Summary by Scarlet576

The trees, flowers, and animals of a peaceful pasture meet together to discuss and learn of theology. Summary by Scarlett Martin.

A darling story of little Charlie and his adventures with cats and kittens and how he became many things. Also how the kitten Topsy, unhappy with being a kitten and having his face washed, tries different life styles with different animals but finally makes the right choice. - Summary by Phil Chenevert

20Salads, Sandwiches and Chafing-Dish Dainties

By Janet McKenzie Hill

There is positive need of more widespread knowledge of the principles of cookery. Few women know how to cook an egg or boil a potato properly, and the making of the perfect loaf of bread has long been assigned a place among the "lost arts."<br></br> By many women cooking is considered, at best, a homely art,—a necessary kind of drudgery; and the composition, if not the consumption, of salads and chafing-dish productions has been restricted, hitherto, chiefly to that half of the race "who cook to please themselves." But, since women have become anxious to compete with men in any and every walk of life, they, too, are desirous of becoming adepts in tossing up an appetizing salad or in stirring a creamy rarebit. And yet neither a pleasing salad, especially if it is to be composed of cooked materials, nor a tempting rarebit can be evolved, save by happy accident, without an accurate knowledge of the fundamental principles that underlie all cookery. - Summary by the Preface

An entertaining yet informative look at the history of Crisco, its place in the "modern" kitchen, basic recipes and how to set up your kitchen layout and types of meal service including "when you don't have a maid." - Summary by BettyB

This biography of Abraham Lincoln focuses on his practice as a lawyer. (Summary by MaryAnn)

23Book of American Negro Poetry

By Otto Leland Bohanan, William Stanley Braithwaite, Benjamin Griffith Brawley, James Edwin Campbell, Waverly Turner Carmichael, James David Corrothers, Joseph S. Cotter, Jr., Ray G. Dandridge, Daniel Webster Davis, R. Nathaniel Dett, W. E. B. Du Bois, Paul Laurence Dunbar, Alice Dunbar Nelson, Jessie R. Fauset, Leslie Pinckney Hill, John Wesley Holloway, Roscoe C. Jamison, James Weldon Johnson, Fenton Johnson, Charles Bertram Johnson, Georgia Douglas Johnson, Edward Smyth Jones, Joshua Henry Jones, Jr., George Reginald Margetson, George Marion McClellan, Claude McKay, William H. A. Moore, Alex Rogers, Theodore Henry Shackelford, Anne Spencer and Lucian B. Watkins

The Book of American Negro Poetry is one of the earliest and most essential anthologies of African-American verse ever brought to print. Edited by writer and diplomat James Weldon Johnson, this collection was published with the hope of bringing to the public a greater awareness of the art and literature created by Black writers. This is the first edition of this long-republished anthology and collects seminal works by Paul Dunbar, W.E.B. Du Bois, Claude McKay, Leslie Hill, James Corrothers, and many more. - Summary by ChuckW

24Dawn of the Morning

By Grace Livingston Hill

Fresh from school, mistreated and neglected by her father and stepmother, sixteen-year-old Dawn consents to marry a friend of her father's whom she has only met, but the wedding does not go as planned. Scared and confused, she runs away after the ceremony. Many adventures follow lovely and resourceful Dawn on her journey to becoming an independent woman. - Summary by karlkzumich

The young Grace Livingston compiled this book using quotes from her aunt's works; Isabella Macdonald Alden (who wrote under the pen name "Pansy"). It is a quote for each day of the year from one of the "Pansy Books" plus a bit of related scripture or verse. - Summary by LikeManyWaters

A young society woman travels to the country to visit her aunt, only to end up as the unwilling guest of a neighboring family. The daughter is not so sure how to deal with this unpleasant circumstance. The young man of the household has met her before. Through them, she gains new perspectives on life, faith, and love. - Summary by LikeManyWaters

A group of girls send gifts and letters to one whom they think to be a young woman like them. "Christie" is really a poor young bachelor tending his orange grove in sunny Florida. Through his correspondence with Hazel (who still thinks he's a girl) he becomes a Christian, and falls in love with her. What will happen when she takes a trip south to meet her dear pen-pal? - Summary by LikeManyWaters

Back from the Great War, a penniless and disillusioned young soldier finds himself in the home of Miss Marilla Chadwick, a sweet old lady who is expecting her nephew for dinner. Mary Amber, Miss Marilla's neighbor, is also there. He hates girls. She hates men. What will be the result? He will fight girl in the concrete! - Summary by LikeManyWaters

29Search

By Grace Livingston Hill

“On the day the drafted men march away, Ruth MacDonald catches John Cameron's eye and waves to him. In the excitement of the moment they both forget the social barriers that lie between them and only remember they were schoolmates as children. From this a friendship develops that has far-reaching results. To Ruth, spoiled daughter of the rich, comes a new conception of life, of war, of love. To John comes tests of fire before he finds himself. Here is the absorbing romance of two people who searched through the devious paths of a warring world for fulfillment and happiness.” - Dust Jacket, 1919 Edition. Note: Chapter numbering skips XI, like the original chapter numbering in the first edition. - Summary by LikeManyWaters

This story is an honest record of what we, who are all writers, and all very intimate friends, have seen and heard as we looked on at the lives of certain people in whom we are deeply interested. We used to talk about these people when we sat together after the day's work was done.<br /><br />"They don't understand one another," said one of the ministers, "else there wouldn't be much trouble."<br /><br />"I think the little girl means better than she is supposed to," said Grace.<br /><br />"And I know the two boys are not half so mean as they are made out to be," declared Paranete.<br /><br />"They are like a great many people in this world," interposed the other minister, "working at cross purposes; making failures of their lives, just because they do not try to put themselves in one another's places."<br /><br />"Making failures, also, because they are trying to carry their own burdens without the help of the only real Helper," said one of the ladies. <br /><br />"O, yes! of course," spoke out both ministers; "that is really the foundation source of their troubles, as of most others." <br /><br />Said Faye Huntington: "Let's write a book about them! One that will help others, as well as them. We can tell their story, but tell it in such a way that they won't even recognize themselves; they will only know that it fits, somehow, and helps." (Summary taken from the preface)

31Exit Betty

By Grace Livingston Hill

A romantic tale of a runaway bride who must escape her overbearing family and groom. Did she make a mistake, or will her future hold true love? - Summary by Elisabeth

32Man of the Desert

By Grace Livingston Hill

Fleeing from an aggressive suitor, Hazel Radcliffe becomes hopelessly lost in the Arizona desert. Exhausted, she falls unconscious from her pony. Soon she is found by John Brownleigh, a handsome missionary who lives nearby. As he cares for her, a strong and true love grows between them. She was raised in luxury, he was raised to serve God. They part knowing very little about each other except for the love they feel. Back home among her family and friends, Hazel makes an important decision. She will do all she can to change, but can she do so before it's too late? Follow her journey of coming closer to the Lord and finding true love in an unlikely place. - Summary by LikeManyWaters

A popular vindication of Christian beliefs and practices against the attacks of modern criticism. Ninety-eight topics, in alphabetical order, giving an explanation of the Catholic teachings on the subjects. (From the book and by Maria Therese)

Miriam Winthrop doesn't know what to do when she realizes her beloved husband Claude, the father of her children, has become infatuated with another woman. Her marriage vows were made to be kept, and not just as empty words that now echo from room to room in her lonely home. Is there a way for love to triumph? Miriam determines to fight for him, and she will fight fire with fire! - Summary by LikeManyWaters

35Lo, Michael!

By Grace Livingston Hill

Grace Livingston Hill's 1913 inspirational tale of Michael, who grows up a poor orphan selling newspapers in the slums of New York. After saving the life of young heiress Starr Endicott, Michael receives a full education and employment thanks to the gratitude of Starr's father. Michael goes on as a young adult to teach a better way to the other criminal and disadvantaged elements who grew up as he did -- and must save Starr once again from a harmful fate. (Summary by northstar95)

36Corner House Girls

By Grace Brooks Hill

A timeless children's classic. Four girls from eight to fourteen years of age receive word that a rich bachelor uncle has died, leaving them the old Corner House he occupied. They move into it and then the fun begins. What they find and do will provoke many a hearty laugh. - Summary by goodreads Grace Brooks Hill was a house pseudonym used by the Stratemeyer Syndicate for children's books.

37City of Fire

By Grace Livingston Hill

Home from college, Lynn is heartbroken to find her childhood friend Mark, has fallen away from his faith in God. After making some poor life choices, Mark is caught up in a local scandal. Billy, one of the bright young boys from Lynn's Sunday School class, is determined to clear Mark's name. But at what cost? And will Billy's betrayal hurt the people he's trying to protect? - Summary by Emily Grace

38Not Under The Law

By Grace Livingston Hill

After both of Joyce's parents passed away, her beloved aunt raised her. But when her aunt gets sick and dies, Joyce's world turns upside down. No longer feeling welcome in her childhood home, she flees during the night to escape the cruel treatment of her aunt's son and his wife. With very little money and only the clothes on her back, Joyce tries to make a new life for herself. Her faith in her Lord is the one thing that keeps her going, no matter how difficult life becomes. - Summary by Emily Grace

39Exit Betty (Version 2)

By Grace Livingston Hill

I have not read the book yet, I'll write the summary once I'm closer to completion. - Emily - Summary by Emily Grace

40John Smith's Funny Adventures on a Crutch! or The Remarkable Peregrinations of a One- Legged Soldier after the War

By A. F. Hill

Follow a Very Funny Man make the best and the worst of his infirmity!! (Summary by Christine Rottger) The language and ideas in this book reflect the period in which it was written. Librivox does not censor works recorded. Some readers and listeners may be offended.