Explore: Dastgāh

Dastgāh-e Shur correspond to the Phrygian mode. In spite of 50 or more extant dastgāhs, 12 are most commonly played, with Dastgāh-e Šur and Dastgāh-e

Shour. Similarly, Dastgāh-e Homāyoun contains both āvāz-e Homāyoun and āvāz-e Esfahān. Shour is mainly considered the mother of all Dastgāh. The classification

Dastgāh-e Māhūr or Dastgaah-e Maahur (Persian: دستگاه ماهور; Azerbaijani: Mahur) is one of the seven Dastgāhs of Persian Music (Classically, Persian Music

Dastgāh-e Šur (Persian: دستگاه شور; Azerbaijani: Şur) is one of the seven Dastgāhs of Persian Music. Classically, Persian Music is organized into seven

It organizes the melodies in a number of different tonal spaces called dastgāh. The traditional music of Iran is based on the radif, which is a collection

arrangement of songs and melodies. Each of these songs, called a corner. Dastgāh: "Dastgāh" in traditional Iranian music, refers to a collection of several melodies

known as Ahava Rabbah, Freygish or just the "Jewish scale", and is called Dastgāh-e Homāyoun in Iran.[citation needed] It is the most common scale in North

passed down from master to student and are today known as the radif and dastgāh system. Many of the melodies were lost, but most of those that remain date

sharps are half-steps). Strings are tuned to meet the tonal requirements of Dastgâh. The instrument's four strings are not always set the same. Tones are not

tunings in each Dastgah; it is likely to be tuned (E–A–E–A) in Dastgah-h Esfahan or in Dastgāh-e Šur is (E–A–D–E) and (E–A–E–E), in Dastgāh-e Māhur is (E–A–D–A)