Explore: Angénieux (firm)

accommodate the large number of close-ups in the film. Other lenses included Angénieux Optimo zooms, Leitz Thalia, macros from Cooke Optics and Arri and a Leitz

post production conversion using Red Epic cameras, Zeiss Ultra Prime and Angenieux Optimo DP Lenses and 3ality Technica TS-5 camera rigs and Stereo Image

Matthew Jensen used the Arri Alexa video camera to shoot the film and Angenieux Optimo and Cook s4 lenses. Post-production techniques were used to give

had to fix. A Canon 16mm camera package was also used. Lenses were from Angenieux. The film was shot on black and white reversal film stock; Aronofsky aimed

Except for the front element, Pierre Angénieux' R1 was a five element Tessar. Note, "retrofocus" was an Angénieux trademark before losing exclusive status

consisting of two episodes. The eleventh series was shot using Cooke and Angénieux anamorphic lenses for the first time in the series' history, a creative

Technicolor process. This was developed later after World War II by Pierre Angénieux, which he marketed as the Retrofocus lens. Inverted telephoto designs

England. Horace W. Lee invented the inverted telephoto lens (known as the Angénieux retrofocus) in 1931, lengthening the back focal length of the camera for

SLRs, although they have not made the transition to digital SLRs. 1950 Angénieux 35mm f/2.5 Retrofocus Type R 1 (France): first retrofocus wide angle lens

of cameras and lenses. However, the plan failed to work out and the two firms parted company amicably, but Pentax retained the lens mount and at least