Working on the play and the role
the Stanislavsky method for analyzing the characters in a drama
By Irina Levin
"Working on the play and the role" was published by Ivan R. Dee in 1992 - Chicago, it has 186 pages and the language of the book is English.
“Working on the play and the role” Metadata:
- Title: ➤ Working on the play and the role
- Author: Irina Levin
- Language: English
- Number of Pages: 186
- Publisher: Ivan R. Dee
- Publish Date: 1992
- Publish Location: Chicago
“Working on the play and the role” Subjects and Themes:
- Subjects: ➤ Characters - Characters and characteristics in literature - Method (Acting) - Vishnevyĭ sad (Chekhov, Anton Pavlovich) - Personnages dans la littérature - Acteren - Méthode (Art dramatique) - Method acting - De kersentuin (Tsjechov) - Interpretatie - Personnages - Personages - Characters and characteristics
- People: ➤ Anton Pavlovich Chekhov (1860-1904)
Edition Specifications:
- Pagination: 186 p. ;
Edition Identifiers:
- The Open Library ID: OL1702144M - OL4275388W
- Online Computer Library Center (OCLC) ID: 25246091
- Library of Congress Control Number (LCCN): 92003054
- ISBN-10: 0929587944 - 0929587936
- All ISBNs: 0929587944 - 0929587936
AI-generated Review of “Working on the play and the role”:
"Working on the play and the role" Description:
The Open Library:
"In order to create a living character on the stage, the actor needs more than masterful technique. He must work on the play in a way that will enable him to understand the meaning of each of the roles in it, and the nature of the relations between these roles. Stanislavsky developed his method of working on the play and the role over many years, but because it was constantly being modified and improved, only fragments of the method were ever recorded. Now Irina and Igor Levin have systematized the method, clearly setting forth its principles and demonstrating precisely how they are put to use. Using the complete text of Chekhov's The Cherry Orchard and breaking it into individual "events," they take the reader through each situation in the play, exploring the motivations and feelings of the characters. The reader emerges with a fine understanding of the play and its roles, and with a method that can be used successfully to analyze any drama."--Jacket.
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