VIVALDI'S MUSIC FOR FLUTE AND RECORDER; TRANS. BY MICHAEL TALBOT. - Info and Reading Options
By FEDERICO MARIA SARDELLI

"VIVALDI'S MUSIC FOR FLUTE AND RECORDER; TRANS. BY MICHAEL TALBOT." is published by ASHGATE in 2007-04-30 - ALDERSHOT, it has 336 pages and the language of the book is und.
“VIVALDI'S MUSIC FOR FLUTE AND RECORDER; TRANS. BY MICHAEL TALBOT.” Metadata:
- Title: ➤ VIVALDI'S MUSIC FOR FLUTE AND RECORDER; TRANS. BY MICHAEL TALBOT.
- Author: FEDERICO MARIA SARDELLI
- Languages: und - English
- Number of Pages: 336
- Publisher: ASHGATE
- Publish Date: 2007-04-30
- Publish Location: ALDERSHOT
“VIVALDI'S MUSIC FOR FLUTE AND RECORDER; TRANS. BY MICHAEL TALBOT.” Subjects and Themes:
- Subjects: ➤ Orchestral music - Criticism and interpretation - Flute music - History and criticism - Recorder music - Flute - History - Recorder (Musical instrument) - Flûte, Musique de - Histoire et critique - Flûte à bec, Musique de - MUSIC - Musical Instruments - Woodwinds - Bibliography
Edition Identifiers:
- The Open Library ID: OL22748931M - OL13671292W
- Online Computer Library Center (OCLC) ID: 993767308 - 63171091
- Library of Congress Control Number (LCCN): 2006002005
- ISBN-10: 075463714X
- All ISBNs: 075463714X
AI-generated Review of “VIVALDI'S MUSIC FOR FLUTE AND RECORDER; TRANS. BY MICHAEL TALBOT.”:
"VIVALDI'S MUSIC FOR FLUTE AND RECORDER; TRANS. BY MICHAEL TALBOT." Description:
The Open Library:
"Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music." "The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general."--Jacket.
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