Visual worlds
By John R. Hall and Blake Stimson

"Visual worlds" was published by Routledge in 2005 - New York, NY, it has 262 pages and the language of the book is English.
“Visual worlds” Metadata:
- Title: Visual worlds
- Authors: John R. HallBlake Stimson
- Language: English
- Number of Pages: 262
- Publisher: Routledge
- Publish Date: 2005
- Publish Location: New York, NY
“Visual worlds” Subjects and Themes:
- Subjects: ➤ Social aspects - Visual communication - Visual perception - Visual sociology - Arts and society - Sociologie visuelle - Communication visuelle - Aspect social - Perception visuelle - Arts et société - SOCIAL SCIENCE - Regional Studies - Anthropology - General - United States - Visual worlds
- Places: United States
Edition Specifications:
- Pagination: p. cm.
Edition Identifiers:
- The Open Library ID: OL3398342M - OL18250953W
- Online Computer Library Center (OCLC) ID: 252816538 - 59881828
- Library of Congress Control Number (LCCN): 2005011703
- ISBN-13: 9780415362122
- ISBN-10: 0415362121
- All ISBNs: 0415362121 - 9780415362122
AI-generated Review of “Visual worlds”:
"Visual worlds" Description:
The Open Library:
"Visual Worlds was conceived to address a bold query: how, it asks, are our experience and understanding of vision and visual form changing under pressure from the various social, economic and cultural factors that are linked under the term globalization? To consider this question, the volume gathers together a diverse group of internationally renowned artists and scholars from a variety of fields including art history, literary theory and criticism, cultural studies, film and television studies, intellectual history and sociology. At issue for each author is what Lauren Berlant, in the volume's first essay, calls "dense and radiant images of the politically saturated" world that are "employed as vehicles for shaping a collective sense of social belonging." The other essays overlap in their considerations of the tensions between cultures and worlds, political life and everyday social experience, peace and war. The conversation that develops between the voices represented here touches down on points arrayed across many visual worlds and provides a unique opportunity for considering the changing character of visual experience today."--Jacket.
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