Virtue and magnificence - Info and Reading Options
art of the Italian Renaissance courts
By Alison Cole

"Virtue and magnificence" was published by H.N. Abrams in 1995 - New York, it has 192 pages and the language of the book is English.
“Virtue and magnificence” Metadata:
- Title: Virtue and magnificence
- Author: Alison Cole
- Language: English
- Number of Pages: 192
- Publisher: H.N. Abrams
- Publish Date: 1995
- Publish Location: New York
“Virtue and magnificence” Subjects and Themes:
- Subjects: ➤ Art and state - Italian Art - Renaissance Art - Art patronage - Art, italian - Art, renaissance - Courts and courtiers--history - Courts and courtiers--italy--history - Art, renaissance--italy - Art patronage--italy - Z6915 col - Courts and courtiers - History
- Places: Italy
Edition Specifications:
- Pagination: 192 p. :
Edition Identifiers:
- The Open Library ID: OL1108915M - OL3507814W
- Online Computer Library Center (OCLC) ID: 31171724 - 504925451
- Library of Congress Control Number (LCCN): 94034268
- ISBN-10: 0810927330
- All ISBNs: 0810927330
AI-generated Review of “Virtue and magnificence”:
"Virtue and magnificence" Description:
The Open Library:
Between the two splendid poles of Naples and Milan - the two great rival powers of Italy - were a cluster of duchies and princely courts, each with its own desire for fame. Like small jewels, these isolated towns and palaces glittered with artworks of the greatest virtuosity and remarkably innovative literature, music, and the sciences. In the service of their own magnificence, these great cities and tiny duchies gathered to themselves a remarkable collection of brilliant artists, poets, and scholars. The courts were the personal possessions of princes (including at least one woman); their task in the game of Italian politics was to maintain their status, wealth, and independence through skillful marriages, force of arms, strength of personality, and cultural power. Their aim as patrons of the arts and sciences was to enhance their prestige, their honor, and their glory. . Alison Cole explores these extraordinary courts, large and small, in the moment of their greatest brilliance, seeing them as the inheritors of a medieval courtly tradition, in contrast to Florence and Venice, whose model was ancient Rome.
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