Theatre and War - Info and Reading Options
By Nandita Dinesh

"Theatre and War" was published by Open Book Publishers in 2016 - xx, it has 210 pages and the language of the book is English.
“Theatre and War” Metadata:
- Title: Theatre and War
- Author: Nandita Dinesh
- Language: English
- Number of Pages: 210
- Publisher: Open Book Publishers
- Publish Date: 2016
- Publish Location: xx
“Theatre and War” Subjects and Themes:
- Subjects: ➤ Sociology & anthropology - Theatre studies - Theatre direction & production - Art - Performing arts - War and theater - Theater and society - Theater - Political aspects - Guerre et théâtre - Théâtre et société - Théâtre - Aspect politique - Arts du spectacle - Society and social sciences Society and social sciences - Sociology and anthropology - The arts - Theatre direction and production - BIOGRAPHY & AUTOBIOGRAPHY - Literary
Edition Specifications:
- Pagination: 210
Edition Identifiers:
- The Open Library ID: OL28357440M - OL20149009W
- Online Computer Library Center (OCLC) ID: 957692063
- Library of Congress Control Number (LCCN): 2019452723
- ISBN-13: 9781783742608
- All ISBNs: 9781783742608
AI-generated Review of “Theatre and War”:
"Theatre and War" Description:
The Open Library:
"Nandita Dinesh places Kipling?s ""six honest serving-men"" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh?s personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to ?doing?, without undervaluing the importance of ?thinking about doing?. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry?Why, Where, Who, What, When?and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the ?hows? from the author?s own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre?practitioners, researchers, and students alike?as well as those seeking to understand the applications of the arts for ethics, politics, and education. "
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