The world new made - Info and Reading Options
figurative painting in the twentieth century
By Timothy Hyman
"The world new made" was published by Thames & Hudson in 2016 - nyu, it has 256 pages and the language of the book is English.
“The world new made” Metadata:
- Title: The world new made
- Author: Timothy Hyman
- Language: English
- Number of Pages: 256
- Publisher: Thames & Hudson
- Publish Date: 2016
- Publish Location: nyu
“The world new made” Subjects and Themes:
- Subjects: ➤ Modern Painting - Figurative painting - Painting, modern - Figurative painting--20th century - Painting, modern--20th century - Nd196.f5 h96 2016 - 759.06
- Time: 20th century
Edition Specifications:
- Pagination: 256 pages
Edition Identifiers:
- The Open Library ID: OL27228558M - OL20048533W
- Online Computer Library Center (OCLC) ID: 958378003
- Library of Congress Control Number (LCCN): 2015959507
- ISBN-13: 9780500239452
- ISBN-10: 0500239452
- All ISBNs: 0500239452 - 9780500239452
AI-generated Review of “The world new made”:
"The world new made" Table Of Contents:
- 1- Introduction : Painting And Experience In The Twentieth Century
- 2- 1. After Cubism : Reinventing the Language of Representation
- 3- 2. After Expressionism : 'The New Thingness'
- 4- 3. First-Person Painting
- 5- 4. Beyond the Formalist Canon : Visionaries, Dreamers, Outsiders
- 6- 5. After Abstract Expressionism : Towards a New History Painting
- 7- Epilogue : Continuous Narratives.
"The world new made" Description:
The Open Library:
Timothy Hyman argues that figuration never went away; abstraction was just one of the ways by which artists renewed pictorial language. This book is structured not as a general survey, but as an in-depth exploration of over 130 specific paintings, and accompanying artists' writings. Focusing on those painters who took a contrary path, he presents a case for these artists as a resistance of sorts. Starting with the oppressive stylistic imperative that set in as Cubism became a movement, he guides us through the Neue Sachlichkeit response to Expressionism, Intimism, 'outsiders' and the aftermath of Abstract Expressionism, towards a new kind of history painting. He shows how abstraction becomes a midwife to a new kind of figuration. A celebration of the richness of human-centred painting over the last century, Timothy Hyman's lavishly illustrated new book brings these often-marginalized artists centre stage. Together they offer a counter-argument to Western formalism, and a foundation for the figurative painters of the 21st century.
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