"The Tempest" - Information and Links:

The Tempest - Info and Reading Options

By William Shakespeare

The cover of “The Tempest” - Open Library.

"The Tempest" was published by Cambridge University Press in 2000 - Cambridge, UK, it has 373 pages and the language of the book is English.

“The Tempest” Metadata:

Title: The Tempest
Author: William Shakespeare
Language: English
Number of Pages: 373
Publisher: Cambridge University Press
Publish Date: 2000
Publish Location: Cambridge, UK
Dewey Decimal Classification: 822.3/3
Library of Congress Classification: PR2833.A2 D9 2000

“The Tempest” Subjects and Themes:

Subjects: ➤ English literature: Shakespeare criticism - English literature: Shakespeare texts - Plays / Drama - Literary Criticism - Classics - For National Curriculum Key Stage 3 - play - performing arts - English drama - tragicomedy - Drama - Teatro - Survival after airplane accidents, shipwrecks - Magicians - Magos - Supervivencia (accidentes de aviación, naufragios, etc.) - Fathers and daughters - Tragicomedia - Castaways - Padres e hijas - Náufragos - shipwrecks - Plays - Spirits - Shipwreck victims - English literature - Political refugees - History and criticism - Bu hnenanweisung - Auffu hrung - Geschichte - English Young adult drama - Islands - Shipwreck survival - Literatura inglesa (crítica e interpretação) - Criticism and interpretation - Juvenile drama - Children's plays, English - Reading Level-Grade 11 - Reading Level-Grade 12 - Tempest (Shakespeare, William) - 18.05 English literature - British and irish drama (dramatic works by one author) - Shakespeare, william, 1564-1616, tempest - English literature, outlines, syllabi, etc. - Drama (dramatic works by one author) - Literature, history and criticism - Shakespeare, william, 1564-1616, juvenile literature - Problems, exercises - Adaptations - Outlines, syllabi - Ariel (Fictitious character : Shakespeare) - Caliban (Fictitious character) - Prospero (Fictitious character) - Children's plays - Stage history - Drama . - Nobility - Roman Empire - Juvenile fiction - Pictorial works - Shakespeare, william, 1564-1616 - Fiction - Shipwreck victims -- Drama - Fathers and daughters -- Drama - Magicians -- Drama - Political refugees -- Drama - Islands -- Drama - Spirits -- Drama - English literature, history and criticism - Comic books, strips - SV - Survival - Translations into Hebrew - Children's fiction - Linguistics & semiotics - Shipwreck survival--drama - Fathers and daughters--drama - Magicians--drama - Islands--drama - Pr2833.a2 l56 2002 - 822.3/3 - Mathematics, study and teaching - Shakespeare, william , 1564-1616 - Fathers and daughters--fiction - Castaways--drama - Pr2833.a2 v38 2011 - The tempest - English drama (Comedy) - English Dramatists - Early modern - Education - Light - Skates (Fishes)
People: ➤ Prospero - Miranda - Ariel - Caliban - Sycorax - Iris - Ceres - Juno - Alonso - Sebastian - Antonio - Ferdinand - Gonzalo - William Shakespeare (1564-1616)
Places: Italy - Naples - Carthage - Milan

Edition Specifications:

Format: Hardcover
Pagination: xxxii, 373 p. :

Edition Identifiers:

Google Books ID: 6bDEMjWragIC
The Open Library ID: OL49834M - OL362699W
Online Computer Library Center (OCLC) ID: 42692159
Library of Congress Control Number (LCCN): 99053454
ISBN-13: 9780521444071
ISBN-10: 0521444071
All ISBNs: 0521444071 - 9780521444071

AI-generated Review of “The Tempest”:

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"The Tempest" Table Of Contents:

1- List of productions
2- Introduction
3- List of characters
4- The Tempest: text and commentary
5- Appendix 1: textual variations
6- Appendix 2: list of principal players
7- Bibliography.

Snippets and Summary:

SCENE I. On a ship at sea: a tempestuous noise

"The Tempest" Description:

The Open Library:

This edition of The Tempest is the first dedicated to its stage history. Drawing on a wide variety of sources, it examines four centuries of mainstream, regional, and fringe productions in Britain (including Dryden and Davenant's Restoration adaptation), nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. In a substantial, illustrated Introduction Dymkowski analyses the cultural significance of changes in the play's theatrical representation, for example, when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration and cuts, and contemporary reception. With extensive quotation from contemporary commentators and detail from unpublished promptbooks, the edition offers both an accessible account of the play's changing meanings and a valuable resource for further research.