The poetics of singularity - Info and Reading Options
the counter-culturalist turn in Heidegger, Derrida, Blanchot and the later Gadamer
By Clark, Timothy

"The poetics of singularity" was published by Edinburgh University Press in 2005 - Edinburgh, it has 186 pages and the language of the book is English.
“The poetics of singularity” Metadata:
- Title: The poetics of singularity
- Author: Clark, Timothy
- Language: English
- Number of Pages: 186
- Publisher: Edinburgh University Press
- Publish Date: 2005
- Publish Location: Edinburgh
“The poetics of singularity” Subjects and Themes:
- Subjects: Criticism - Poetics - Particularity (Aesthetics) - Criticism and interpretation
- People: Jacques Derrida (1930-2004) - Martin Heidegger (1889-1976) - Maurice Blanchot - Hans-Georg Gadamer (1900-2002)
Edition Specifications:
- Pagination: xiii, 186 p. ;
Edition Identifiers:
- The Open Library ID: OL3464670M - OL3287230W
- Online Computer Library Center (OCLC) ID: 56964882
- Library of Congress Control Number (LCCN): 2005434751
- ISBN-10: 0748619291
- All ISBNs: 0748619291
AI-generated Review of “The poetics of singularity”:
"The poetics of singularity" Description:
The Open Library:
"This polemical book reveals the basic tenets of what may be called a 'poetics of singularity' in Martin Heidegger, Maurice Blanchot, Jacques Derrida and the strange late essays of Hans Georg Gadamer." "At issue is the at first simple, even familiar, idea that literary or poetic 'meaning' cannot be stated in terms other than its own, that a text strives towards the status of being an example, if of anything, only of itself, sole witness of what it alone projects. This issue opens a series of powerful questions concerning basic features of Western thought - about the nature of understanding, about Kierkegaard's 'singular individual' that is yet each human life in its exceptionally, the uniqueness of historical testimony, and the nature of community. The Poetics of Singularity forms an ethically compelling alternative to the currently dominant cultural/social studies paradigm in literary criticism, a neo-Darwinian understanding of art and life which is sometimes only a disguised version of American nationalism."--Jacket.
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