The emancipated spectator - Info and Reading Options
By Jacques Rancière
"The emancipated spectator" was published by Verso in 2011 - London, it has 134 pages and the language of the book is English.
“The emancipated spectator” Metadata:
- Title: The emancipated spectator
- Author: Jacques Rancière
- Language: English
- Number of Pages: 134
- Publisher: Verso
- Publish Date: 2011
- Publish Location: London
- Library of Congress Classification: NX220 .R3613 2011NX220
“The emancipated spectator” Subjects and Themes:
- Subjects: ➤ Aesthetics - Psychology - Arts audiences - Representation (Philosophy) - Image (Philosophy) - Philosophy - Art appreciation - Postmodernism (literature) - Political science, philosophy - Art - Reader-response criticism - Philosophie - Image (Philosophie) - Esthétique de la réception - Représentation (Philosophie) dans l'art - Représentation (Philosophie) - Arts - Publics - Psychologie - Appréciation - Emanzipation - Kunstbetrachtung - Passivität - Ästhetik - Konstfilosofi - Konstestetik - Konstreception - Konstteori - Filmteori - Emanzipation (Motiv) - Passivität (Motiv) - Arts audiences--psychology - Art appreciation--philosophy - Ästhetik - Nx220 .r3613 2009 - 700.1 - 5,1 - Ci 5400 - Cc 6900 - Ck 3157 - Phi 700f - Education - Philosophy & social aspects
Edition Specifications:
- Pagination: 134 p.
Edition Identifiers:
- The Open Library ID: OL30611028M - OL16918627W
- Library of Congress Control Number (LCCN): 2011294735
- ISBN-13: 9781844677610
- ISBN-10: 1844677613
- All ISBNs: 1844677613 - 9781844677610
AI-generated Review of “The emancipated spectator”:
"The emancipated spectator" Table Of Contents:
- 1- The emancipated spectator
- 2- The misadventures of critical thought
- 3- Aesthetic separation, aesthetic community
- 4- The intolerable image
- 5- The pensive image.
"The emancipated spectator" Description:
The Open Library:
In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?
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