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business culture, counterculture, and the rise of hip consumerism

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The cover of “The conquest of cool” - Open Library.

"The conquest of cool" was published by University of Chicago Press in 1997 - Chicago, it has 287 pages and the language of the book is English.


“The conquest of cool” Metadata:

  • Title: The conquest of cool
  • Authors:
  • Language: English
  • Number of Pages: 287
  • Publisher: University of Chicago Press
  • Publish Date:
  • Publish Location: Chicago

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  • Pagination: 287 p. :

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For as long as America is torn by culture wars, the 1960s will remain the historical terrain of conflict.

"The conquest of cool" Description:

The Open Library:

While the youth counterculture remains the most evocative and best-remembered symbol of the cultural ferment of the 1960s, the revolution that shook American business during those boom years has gone largely unremarked. In this fascinating and revealing new study, Thomas Frank shows how the youthful revolutionaries were joined - and even anticipated by - such unlikely allies as the advertising industry and the men's clothing business. In both areas, each having also been an important pillar of fifties conservatism, the utopian, complacent surface of postwar consumerism was smashed by a new breed of admen and manufacturers who openly addressed public distrust of their industries, who recognized the absurdity of consumer society, who made war on conformity, and who finally settled on youth rebellion and counterculture as the symbol of choice for their new marketing vision. The Conquest of Cool is a thorough history of advertising as well as an incisive commentary on the evolution of a peculiarly American sensibility, the pervasive co-optation that defines today's hip commercial culture. By studying the devices and institutions of co-optation rather than those of resistance, Frank offers a picture of the 1960s that differs dramatically from the accounts of youth rebellion and sell-out that have become so familiar over the years. The Conquest of Cool forsakes the stories of campus and bohemia to follow the Dodge Rebellion, chronicle the Pepsi Generation, and recount the Peacock Revolution - by so doing, it raises important new questions about the culture of that most celebrated and maligned decade.

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