The Comedies
By William Shakespeare
"The Comedies" was published by Gramercy Books in 2002 - New York, USA, it has 349 pages and the language of the book is English.
“The Comedies” Metadata:
- Title: The Comedies
- Author: William Shakespeare
- Language: English
- Number of Pages: 349
- Publisher: Gramercy Books
- Publish Date: 2002
- Publish Location: New York, USA
“The Comedies” Subjects and Themes:
- Subjects: ➤ mistaken identities - performing arts - comedy - Drama - Conspiracies - Rejection (Psychology) - Courtship - Juvenile drama - Plays - English drama - Fiction - Classic Literature - English drama (Comedy) - Juvenile literature
- People: ➤ William Shakespeare (1564-1616) - Don Pedro - Don John - Claudio - Benedick - Leonato - Antonio - Balthasar - Borachio - Conrade - Friar Francis - Dogberry - Verges - A Sexton - A Boy - Hero - Beatrice - Margaret - Ursula - Messengers - Watch - Attendants
- Places: Italy - Messina
Edition Specifications:
- Format: Hardcover
- Pagination: 349 p. :
Edition Identifiers:
- The Open Library ID: OL3568687M - OL20367214W
- Online Computer Library Center (OCLC) ID: 873160391 - 995140710
- Library of Congress Control Number (LCCN): 2002069295
- ISBN-13: 9780517220566
- ISBN-10: 0517220563
- All ISBNs: 0517220563 - 9780517220566
AI-generated Review of “The Comedies”:
"The Comedies" Table Of Contents:
- 1- The comedy of errors ; Two gentlemen of Verona ; Merry wives of Windsor ; Twelfth night; or, what you will ; Measure for measure ; Much ado about nothing : A midsummer nightś dream ; Loveś labours lost: The merchant of Venice ; As you like it ; Alls well that ends well; The taming of the shrew : Troilus and cressida
"The Comedies" Description:
The Open Library:
All thirteen of Shakespeare's wonderfully entertaining comedies are contained in this handsome collection, which celebrates the common threads of our humanity, still unchanged from the Bard's own time: the battle between the sexes; the nature of love and friendship; the rule of law and private morality. With occasional complications from disguises, mistaken identities, love triangles and even fairy intervention, these plays continue to speak to new generations with immortal lines such as Lysander's in A Midsummer Night's Dream: "the course of true love never did run smooth.
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