The Colors Of The New World Artists Materials And The Creation Of The Florentine Codex - Info and Reading Options
By Diana Magaloni

"The Colors Of The New World Artists Materials And The Creation Of The Florentine Codex" was published by Getty Research Institute in 2014, it has 80 pages and the language of the book is English.
“The Colors Of The New World Artists Materials And The Creation Of The Florentine Codex” Metadata:
- Title: ➤ The Colors Of The New World Artists Materials And The Creation Of The Florentine Codex
- Author: Diana Magaloni
- Language: English
- Number of Pages: 80
- Publisher: Getty Research Institute
- Publish Date: 2014
“The Colors Of The New World Artists Materials And The Creation Of The Florentine Codex” Subjects and Themes:
- Subjects: ➤ Illustration of books - Artists' materials - Manuscripts - Art, mexican - Illumination of books and manuscripts - Technique - Pigments - Mexican Manuscripts - Códice florentino - Mexican Illumination of books and manuscripts
Edition Identifiers:
- The Open Library ID: OL26185635M - OL17582472W
- Online Computer Library Center (OCLC) ID: 866615682
- Library of Congress Control Number (LCCN): 2014001971
- ISBN-13: 9781606063293
- All ISBNs: 9781606063293
AI-generated Review of “The Colors Of The New World Artists Materials And The Creation Of The Florentine Codex”:
"The Colors Of The New World Artists Materials And The Creation Of The Florentine Codex" Description:
The Open Library:
"In August 1576, in the midst of an outbreak of the plague, the Spanish Franciscan friar Bernardino de Sahagún and twenty-two indigenous artists locked themselves inside the school of Santa Cruz de Tlaltelolco in Mexico City with a mission: to create nothing less than the first illustrated encyclopedia of the New World. Today this twelve-volume manuscript is preserved in the Biblioteca Medicea Laurenziana in Florence and is widely known as the Florentine Codex. A monumental achievement, the Florentine Codex is the single most important artistic and historical document for studying the peoples and cultures of pre-Hispanic and colonial Central Mexico. It reflects both indigenous and Spanish traditions of writing and painting, including parallel columns of text in Spanish and Nahuatl and more than two thousand watercolor illustrations prepared in European and Aztec pictorial styles. This volume reveals the complex meanings inherent in the selection of the pigments used in the manuscript, offering a fascinating look into a previously hidden symbolic language. Drawing on cuttingedge approaches in art history, anthropology, and the material sciences, the book sheds new light on one of the world’s great manuscripts—and on a pivotal moment in the early modern Americas."--
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