The color of sound - Info and Reading Options
race, religion, and music in Brazil
By John Burdick

"The color of sound" was published by New York University Press in 2011 - New York, it has 227 pages and the language of the book is English.
“The color of sound” Metadata:
- Title: The color of sound
- Author: John Burdick
- Language: English
- Number of Pages: 227
- Publisher: New York University Press
- Publish Date: 2011
- Publish Location: New York
“The color of sound” Subjects and Themes:
- Subjects: ➤ Religion - Evangelicalism - Music - Blacks - Gospel music - History and criticism - Race identity - Race relations - Contemporary Christian music - African American influences - Samba - Svarta - Evangelikal teologi - Rap - Gospel - History of north and south america - Religious - SOCIAL SCIENCE - Anthropology - Cultural - Blacks, brazil - Blacks, music - Blacks, religion - Black people
- Places: Brazil
Edition Specifications:
- Pagination: p. cm.
Edition Identifiers:
- The Open Library ID: OL25376995M - OL16705132W
- Online Computer Library Center (OCLC) ID: 780483672
- Library of Congress Control Number (LCCN): 2012027273
- ISBN-13: 9780814709221 - 9780814709238 - 9780814709245 - 9780814723135
- All ISBNs: 9780814709221 - 9780814709238 - 9780814709245 - 9780814723135
AI-generated Review of “The color of sound”:
"The color of sound" Table Of Contents:
- 1- We are modern Levites
- 2- A voice so full of pain and power
- 3- We are all one in the Periferia
- 4- The flags of Jesus and Brazil
- 5- The Bible is full of prophecies.
"The color of sound" Description:
The Open Library:
Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness--and its engagement in racial politics is rooted in the major new cultural movement of black music. In this highly original account, anthropologist John Burdick explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. By immersing himself for nearly a year in the vibrant worlds of black gospel, gospel rap, and gospel samba, Burdick pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, Burdick shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This deeply detailed, engaging portrait challenges much of what we thought we knew about Brazil's Protestants, provoking us to think in new ways about their role in their country's struggle to combat racism [Publisher description]
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