The Ballets russes and beyond - Info and Reading Options
music and dance in belle-époque Paris
By Davinia Caddy
"The Ballets russes and beyond" was published by Cambridge University Press in 2012 - Cambridge and the language of the book is English.
“The Ballets russes and beyond” Metadata:
- Title: The Ballets russes and beyond
- Author: Davinia Caddy
- Language: English
- Publisher: Cambridge University Press
- Publish Date: 2012
- Publish Location: Cambridge
“The Ballets russes and beyond” Subjects and Themes:
- Subjects: ➤ Social life and customs - Ballet - Music - MUSIC / General - Ballets russes - Dance - History - Les Ballets russes - Balletgezelschappen - Performing Arts - General - MUSIC - Manners and customs - Dansers - Musik - Ballett - Ballet, history - Dance, france - Music, french - Paris (france), social life and customs
- Places: Paris - Paris (France) - France
- Time: 20th century
Edition Specifications:
- Pagination: p. cm.
Edition Identifiers:
- The Open Library ID: OL25032992M - OL16152267W
- Online Computer Library Center (OCLC) ID: 753468463
- Library of Congress Control Number (LCCN): 2011035583
- ISBN-13: 9781107014404
- All ISBNs: 9781107014404
AI-generated Review of “The Ballets russes and beyond”:
"The Ballets russes and beyond" Table Of Contents:
- 1- Machine generated contents note: 1. Introduction: Le Génie de la danse; 2. Ballet at the Opéra and La Fête chez Thérèse ; 3. Nijinsky's Faune revisited; 4. Metaphors of invasion: the Ballets Russes and the French press; 5. Beyond and behind Le Coq d'or.
"The Ballets russes and beyond" Description:
The Open Library:
"Belle-époque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day"--
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