The art of confession - Info and Reading Options
the performance of self from Robert Lowell to reality tv
By Christophár Grobe

"The art of confession" was published by NYU Press in 2017 - nyu, it has 303 pages and the language of the book is English.
“The art of confession” Metadata:
- Title: The art of confession
- Author: Christophár Grobe
- Language: English
- Number of Pages: 303
- Publisher: NYU Press
- Publish Date: 2017
- Publish Location: nyu
“The art of confession” Subjects and Themes:
- Subjects: ➤ Confession stories - Poetry and the arts - Reality television programs - Social aspects - Performance art - Spoken word poetry - Arts, united states - Confession in art - Arts - History - Self-presentation in mass media - Self-presentation in literature - Confession in literature - Confession - Beichte - Literatur - Lyrik - Reality-TV - Performance - Selbstdarstellung
Edition Specifications:
- Pagination: xv, 303 pages
Edition Identifiers:
- The Open Library ID: OL26935111M - OL19721988W
- Online Computer Library Center (OCLC) ID: 982600931
- Library of Congress Control Number (LCCN): 2017008035
- ISBN-13: 9781479882083 - 9781479829170
- ISBN-10: 1479882089 - 147982917X
- All ISBNs: 1479882089 - 147982917X - 9781479882083 - 9781479829170
AI-generated Review of “The art of confession”:
"The art of confession" Table Of Contents:
- 1- The breath of a poem
- 2- Self-consciousness raising
- 3- Just talk
- 4- Broadcast yourself.
"The art of confession" Description:
The Open Library:
"The Art of Confession tells the history of this cultural shift and of the movement it created in American art: confessionalism. Like realism or romanticism, confessionalism began in one art form, but soon pervaded them all: poetry and comedy in the 1950s and '60s, performance art in the '70s, theater in the '80s, television in the '90s, and online video and social media in the 2000s. Everywhere confessionalism went, it stood against autobiography, the art of the closed book. Instead of just publishing, these artists performed--with, around, and against the text of their lives." --
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