T.S. Eliot and the poetics of evolution - Info and Reading Options
sub/versions of classicism, culture, and progress
By Lois A. Cuddy
"T.S. Eliot and the poetics of evolution" was published by Bucknell University Press in 2000 - Lewisburg [Pa.], it has 288 pages and the language of the book is English.
“T.S. Eliot and the poetics of evolution” Metadata:
- Title: ➤ T.S. Eliot and the poetics of evolution
- Author: Lois A. Cuddy
- Language: English
- Number of Pages: 288
- Publisher: Bucknell University Press
- Publish Date: 2000
- Publish Location: Lewisburg [Pa.]
“T.S. Eliot and the poetics of evolution” Subjects and Themes:
- Subjects: ➤ Knowledge - Poetics - Science - Influence - Evolution in literature - Evolution (Biology) in literature - Natural history - Literature and science - Criticism and interpretation - History - Eliot, t. s. (thomas stearns), 1888-1965 - Darwin, charles, 1809-1882 - Evolution - Knowledge and learning
- People: T. S. Eliot (1888-1965) - Charles Darwin (1809-1882)
- Places: United States - Great Britain
- Time: 20th century
Edition Specifications:
- Pagination: 288 p. ;
Edition Identifiers:
- The Open Library ID: OL38729M - OL34741W
- Online Computer Library Center (OCLC) ID: 41326634
- Library of Congress Control Number (LCCN): 99027226
- ISBN-10: 0838754228
- All ISBNs: 0838754228
AI-generated Review of “T.S. Eliot and the poetics of evolution”:
"T.S. Eliot and the poetics of evolution" Description:
The Open Library:
"Cuddy examines how the nineteenth-century union of evolution, history, and myth became Eliot's definition of the Western Tradition from Homer to the present. Homer's Odyssey and the tradition it inspired became one of Eliot's most successful paradigms for historical re/vision of women, father/son relationships, cultural evolution, time, and poet's struggle with words.". "Guided by Eliot's own allusions and references to specific authors and historical moments, Cuddy adds a feminist, cultural, and intertextual perspective to the familiar critical interpretations of Eliot's work in order to reread poems and plays through nineteenth-century ideologies and knowledge set against our own time. By considering the implications and consequences of Eliot's culturally approved assumptions, this study further reveals how Eliot was trapped between the idea of Evolution as a unifying project and the reality of his own and his culture's hierarchical (and fragmenting) beliefs about class, gender, religion, and race. Cuddy concludes by exploring how this conflict undermined Eliot's mission of unity and influenced his (and Modernism's) place in history."--BOOK JACKET.
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