Shakespeare's tragedies and modern critical theory - Info and Reading Options
By Cunningham, James

"Shakespeare's tragedies and modern critical theory" was published by Fairleigh Dickinson University Press in 1997 - Madison, NJ, it has 238 pages and the language of the book is English.
“Shakespeare's tragedies and modern critical theory” Metadata:
- Title: ➤ Shakespeare's tragedies and modern critical theory
- Author: Cunningham, James
- Language: English
- Number of Pages: 238
- Publisher: ➤ Fairleigh Dickinson University Press
- Publish Date: 1997
- Publish Location: Madison, NJ
“Shakespeare's tragedies and modern critical theory” Subjects and Themes:
- Subjects: ➤ Criticism - Tragedies - Tragedy - Tragedie - Critique - Criticism and interpretation - Tragédies - Tragédie - Shakespeare, william, 1564-1616, tragedies
- People: ➤ William Shakespeare (1564-1616)
Edition Specifications:
- Pagination: 238 p. ;
Edition Identifiers:
- The Open Library ID: OL999183M - OL3334772W
- Online Computer Library Center (OCLC) ID: 36029648
- Library of Congress Control Number (LCCN): 96038007
- ISBN-10: 0838637116
- All ISBNs: 0838637116
AI-generated Review of “Shakespeare's tragedies and modern critical theory”:
"Shakespeare's tragedies and modern critical theory" Description:
The Open Library:
This book makes a distinctive contribution to the current debate between traditional humanist approaches to Shakespeare and the newer modes of analysis informed by Marxism, poststructuralism, and feminism. The study addresses a broad audience, including readers who are interested in Shakespeare but unfamiliar with critical theory. To enable such readers to gain a purchase on the theoretical debate, the author provides an introduction to the main critical positions now represented in Shakespeare studies. The underlying assumptions of humanist criticism are articulated, and the challenge posed by critical theory is explored. Individual chapters deal with cultural materialism, new historicism, poststructuralism, and feminist criticism. The theoretical basis of each critical mode is examined and some representative critiques analyzed. Most importantly, in each chapter the various interpretations are tested against Shakespeare's texts, and the strengths and weaknesses of the different readings are assessed.
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