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poetic adaptations of painterly techniques in the French and American avant-gardes

Book's cover
The cover of “Savage sight, constructed noise” - Open Library.

"Savage sight, constructed noise" was published by U.N.C. Dept. of Romance Languages in 2003 - Chapel Hill, it has 318 pages and the language of the book is English.


“Savage sight, constructed noise” Metadata:

  • Title: ➤  Savage sight, constructed noise
  • Author:
  • Language: English
  • Number of Pages: 318
  • Publisher: ➤  U.N.C. Dept. of Romance Languages
  • Publish Date:
  • Publish Location: Chapel Hill

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Edition Specifications:

  • Pagination: 318 p. :

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AI-generated Review of “Savage sight, constructed noise”:


"Savage sight, constructed noise" Description:

The Open Library:

"This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States." "Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes."--Jacket.

Open Data:

"This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States." ; "Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes."--Jacket

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