Russian critics on the cinema of glasnost - Info and Reading Options
By Andrew Horton

"Russian critics on the cinema of glasnost" was published by Cambridge University Press in 1994 - Cambridge, it has 167 pages and the language of the book is English.
“Russian critics on the cinema of glasnost” Metadata:
- Title: ➤ Russian critics on the cinema of glasnost
- Author: Andrew Horton
- Language: English
- Number of Pages: 167
- Publisher: Cambridge University Press
- Publish Date: 1994
- Publish Location: Cambridge
“Russian critics on the cinema of glasnost” Subjects and Themes:
- Subjects: ➤ Motion pictures - Reviews - Motion pictures, soviet union - Motion pictures, political aspects - Cinéma - Aspect politique - Comptes rendus - Critique cinématographique - 24.32 history of film art - Political aspects - Glasnost - Aufsatzsammlung - Films - Politieke aspecten - History - Film
- Places: Russia (Federation)
Edition Specifications:
- Pagination: viii, 167 p. :
Edition Identifiers:
- The Open Library ID: OL1432079M - OL18343438W
- Online Computer Library Center (OCLC) ID: 29428433
- Library of Congress Control Number (LCCN): 93043590
- ISBN-10: 0521444756
- All ISBNs: 0521444756
AI-generated Review of “Russian critics on the cinema of glasnost”:
"Russian critics on the cinema of glasnost" Description:
The Open Library:
Russian Critics on the Cinema of Glasnost gathers together twenty-three essays written by some of Russia's most astute commentators of film and culture. Written during the 1980s and published in English for the first time, this collection includes reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments not only illuminate important aspects of Russian filmmaking during this decade: As importantly, they capture a sense of a society in flux during the waning years of Communism, as well as the larger context within which Glasnost cinema and culture developed. This collection provides insight into the successes and shortcomings of Glasnost, as captured in film, for a Western audience.
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