Reading jazz - Info and Reading Options
a gathering of autobiography, reportage, and criticism from 1919 to now
By Robert Gottlieb and Gottlieb, Robert

"Reading jazz" was published by Vintage Books in 1999 - New York, it has 1068 pages and the language of the book is English.
“Reading jazz” Metadata:
- Title: Reading jazz
- Authors: Robert GottliebGottlieb, Robert
- Language: English
- Number of Pages: 1068
- Publisher: Vintage Books
- Publish Date: 1999
- Publish Location: New York
“Reading jazz” Subjects and Themes:
- Subjects: ➤ Jazz, history and criticism - Jazz - History and criticism - Jazz musicians - Biography - Geschichte - New York Times reviewed - Jazz musicians, biography
Edition Specifications:
- Pagination: xiii, 1068 p. ;
Edition Identifiers:
- The Open Library ID: OL22370536M - OL5107219W
- Online Computer Library Center (OCLC) ID: 34515658
- Library of Congress Control Number (LCCN): 96014219
- ISBN-10: 0679781110 - 0679442510
- All ISBNs: 0679781110 - 0679442510
AI-generated Review of “Reading jazz”:
"Reading jazz" Description:
The Open Library:
Here is the largest, most comprehensive, and most stimulating collection of writings on jazz ever published. The first of Reading Jazz's three parts is autobiographical, and in it such central jazz figures as Jelly Roll Morton, Louis Armstrong, Sidney Bechet, Billie Holiday, Miles Davis, Charles Mingus, Art Pepper, Count Basie, Anita O'Day, Lionel Hampton, Artie Shaw, and Cab Calloway reveal their lives and ideas in their highly charged and very persuasive first persons. Part two is reportorial, encompassing formal profiles - Whitney Balliett's of Earl Hines and Peewee Russell, and Gene Lees's of Bill Evans and Dizzy Gillespie; Lillian Ross's hilarious account of the first Newport Jazz Festival; Ralph Ellison remembering Minton's Playhouse; and both Hampton Hawes and Miles Davis reminiscing about Charlie Parker. Part three is critical, presenting a wide spectrum of opinion and approach, beginning with the famous 1919 essay by Ernst-Alexandre Ansermet (he conducted the premiere of Stravinsky's Rite of Spring) about jazz in general and Bechet in particular, and proceeding to such eminent writers as Nat Hentoff (on John Coltrane), Gunther Schuller (on Sarah Vaughan), Dan Morgenstern (on Louis Armstrong), Gary Giddins (on "Body and Soul"), Philip Larkin, Albert Murray, Stanley Crouch, LeRoi Jones, and many others.
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