Public Art Encounters - Info and Reading Options
Art, Space and Identity
By Martin Zebracki and Joni M. Palmer
"Public Art Encounters" was published by Taylor & Francis Group in 2017, the book is classified in Social Science genre, it has 240 pages and the language of the book is English.
“Public Art Encounters” Metadata:
- Title: Public Art Encounters
- Authors: Martin ZebrackiJoni M. Palmer
- Language: English
- Number of Pages: 240
- Is Family Friendly: Yes - No Mature Content
- Publisher: Taylor & Francis Group
- Publish Date: 2017
- Genres: Social Science
“Public Art Encounters” Subjects and Themes:
- Subjects: ➤ Public art - Art and society - Public spaces - Social aspects - Art et société - Espaces publics - Aspect social - ART - ARCHITECTURE - Buildings - Public, Commercial & Industrial
Edition Identifiers:
- Google Books ID: fBw0DwAAQBAJ
- The Open Library ID: OL28834612M - OL21295516W
- Online Computer Library Center (OCLC) ID: 1003257086 - 975372849
- Library of Congress Control Number (LCCN): 2017015001
- ISBN-13: 9781472468796 - 9781317073833
- ISBN-10: 1317073835
- All ISBNs: 9781472468796 - 9781317073833 - 1317073835
AI-generated Review of “Public Art Encounters”:
Snippets and Summary:
... <b>LCCN 2017015001</b>|ISBN 9781472468796 (hardback)|ISBN 9781315602837 (ebook) Subjects: LCSH: Public art. | Art and society. |Public spaces—Social aspects. Classification: LCC N8725.P83 2017 | DDC 711/.57—dc23 LC record available at https ...
"Public Art Encounters" Description:
The Open Library:
Public art is produced and 'lived' within multiple, interlaced and contested political, economic, social and cultural-symbolic spheres. This lively collection is a mix of academic and practice-based writings that scrutinise conventional claims on the inclusiveness of public art practice. Contributions examine how various social differences, across class, ethnicity, age, gender, religion, ability and literacy, shape encounters with public art within the ambits of the design, regeneration and everyday experiences of public spaces. The chapters richly draw on case studies from the Global North and South, providing comprehensive insights into the experiences of encountering public art via a variety of scales and realms. This book advances critical insights of how socially practised public arts articulate and cultivate geographies of social difference through the themes of power (the politics of encountering), affect (the embodied ways of encountering), and diversity (the inclusiveness of encountering). It will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.
Google Books:
Public art is produced and ‘lived’ within multiple, interlaced and contested political, economic, social and cultural-symbolic spheres. This lively collection is a mix of academic and practice-based writings that scrutinise conventional claims on the inclusiveness of public art practice. Contributions examine how various social differences, across class, ethnicity, age, gender, religion, ability and literacy, shape encounters with public art within the ambits of the design, regeneration and everyday experiences of public spaces. The chapters richly draw on case studies from the Global North and South, providing comprehensive insights into the experiences of encountering public art via a variety of scales and realms. This book advances critical insights of how socially practised public arts articulate and cultivate geographies of social difference through the themes of power (the politics of encountering), affect (the embodied ways of encountering), and diversity (the inclusiveness of encountering). It will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.
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- Public Domain: No
- Availability Status: Partially available
- Availability Status for country: US.
- Available Formats: Text is available, image copy is available.
- Google Books Link: Google Books
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